No barrier stands between the material world of science and the sensibilities of the hunter and the poet.
Interpretation
This quote suggests that science and art (represented by hunters and poets) are interconnected and can coexist without conflict.
E. O. Wilson's quote emphasizes the harmony between the empirical world of science and the emotional and creative perspectives of individuals like hunters and poets. It highlights that appreciating the natural world can be rooted in both scientific understanding and artistic interpretation, suggesting that knowledge and creativity enrich each other rather than being in opposition.
In practice
During a lecture on the integration of arts and sciences in education.
Consider the nematode roundworm, the most abundant of all animals. Four out of five animals on Earth are nematode worms β if all solid materials except nematode worms were to be eliminated, you could still see the ghostly outline of most of it in nematode worms.
Nature holds the key to our aesthetic, intellectual, cognitive and even spiritual satisfaction.
The worst thing that will probably happen-in fact is already well underway-is not energy depletion, economic collapse, conventional war, or the expansion of totalitarian governments. As terrible as these catastrophes would be for us, they can be repaired in a few generations. The one process now going on that will take millions of years to correct is loss of genetic and species diversity by the destruction of natural habitats. This is the folly our descendants are least likely to forgive us.
Humanity today is like a waking dreamer, caught between the fantasies of sleep and the chaos of the real world. The mind seeks but cannot find the precise place and hour. We have created a Star Wars civilization, with Stone Age emotions, medieval institutions, and godlike technology. We thrash about. We are terribly confused by the mere fact of our existence, and a danger to ourselves and to the rest of life.
Destroying rainforest for economic gain is like burning a Renaissance painting to cook a meal.
An Armageddon is approaching at the beginning of the third millennium. But it is not the cosmic war and fiery collapse of mankind foretold in sacred scripture. It is the wreckage of the planet by an exuberantly plentiful and ingenious humanity.
Physics is the only profession in which prophecy is not only accurate but routine.
The idea of a method that contains firm, unchanging, and absolutely binding principles for conducting the business of science meets considerable difficulty when confronted with the results of historical research. We find, then, that there is not a single rule, however plausible, and however firmly grounded in epistemology, that is not violated at some time or another.
And I don't care what else anyone has ever told you, the Sun is white, not yellow. Human color perception is a complicated business, but if the Sun were yellow, like a yellow lightbulb, then white stuff such as snow would reflect this light and appear yellow-a snow condition confirmed to happen only near fire hydrants.
A page from a journal of modern experimental physics will be as mysterious to the uninitiated as a Tibetan mandala. Both are records of enquiries into the nature of the universe.
Just because things get a little dingy at the subatomic level doesn't mean all bets are off.
It is not just that science and technology are possible means of great human satisfaction, as well as a matrix of complex dominations. Cyborg imagery can suggest a way out of the maze of dualisms in which we have explained our bodies and our tools to ourselves.
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