I think the beauty of documentary work is that it's a mystery - you never know where it's going to lead you. You start out with some notion of it, but it's very different from a script. A script you write, you shoot against, and you know what the story is going to be. There's always the element of surprise, but the surprise comes from performance, from something that's improvised, it comes from someone who sees it inside an already determined framework. In documentary, it's never determined. It's never the same, and affords enormous possibility.
I don't think she [Marilyn Monroe] saw herself as victimized and a sex object. She knew how to contend with it. I'm sure she was no fool about it. On… - Gail Levin
I don't think she [Marilyn Monroe] saw herself as victimized and a sex object. She knew how to contend with it. I'm sure she was no fool about it. On…
- Gail Levin
I think the beauty of documentary work is that it's a mystery - you never know where it's going to lead you. You start out with some notion of it, bu… - Gail Levin
I think the beauty of documentary work is that it's a mystery - you never know where it's going to lead you. You start out with some notion of it, bu…
For me, the arts are just an endless source of intelligence, brilliance, imagination, and originality. - Gail Levin
For me, the arts are just an endless source of intelligence, brilliance, imagination, and originality.
Not only did she [Marilyn Monroe] master her own image, create it and ultimately control it, she was the subject of many of the great masters of phot… - Gail Levin
Not only did she [Marilyn Monroe] master her own image, create it and ultimately control it, she was the subject of many of the great masters of phot…
She [Marilyn Monroe] wasn't the most incredibly beautiful. She's rather ordinary. Cute, but no Rita Hayworth. I think she was ready for the camera, a… - Gail Levin
She [Marilyn Monroe] wasn't the most incredibly beautiful. She's rather ordinary. Cute, but no Rita Hayworth. I think she was ready for the camera, a…
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