NOT, I’ll not, carrion comfort, Despair, not feast on thee; Not untwist—slack they may be—these last strands of man In me ór, most weary, cry I can no more. I can; Can something, hope, wish day come, not choose not to be.
Gerard Manley HopkinsRead
Beauty is a relation, and the apprehension of it a comparison.
Interpretation
Beauty depends on relationships and perspectives that require comparison to be fully appreciated.
In this quote, Gerard Manley Hopkins suggests that beauty is not an absolute quality but rather a relational concept that emerges through comparison and context. To truly apprehend beauty, one must engage in a comparative process, recognizing that what is deemed beautiful can vary greatly depending on the relationships and standards we apply.
In practice
During an art exhibition, one might use this quote to invite discussion on how audience perspectives shape their understanding of beauty.
NOT, I’ll not, carrion comfort, Despair, not feast on thee; Not untwist—slack they may be—these last strands of man In me ór, most weary, cry I can no more. I can; Can something, hope, wish day come, not choose not to be.
And for all this, nature is never spent; There lives the dearest freshness deep down things; And though the last lights off the black West went Oh, morning, at the brown brink eastward, springs— Because the Holy Ghost over the bent World broods with warm breast and with ah! bright wings.
Look at the stars! Look, look up at the skies! Oh look at all the fire-folk sitting in the air! The bright boroughs, the circle-citadels there!
Let Him easter in us, be a dayspring to the dimness of us, be a crimson-cresseted east.
Birds buildbut not I build; no, but strain, Time's eunuch, and not breed one work that wakes. Mine,O thou lord of life, send my roots rain.
Nothing is so beautiful as spring - when weeds, in wheels, shoot long and lovely and lush; Thrush's eggs look little low heavens, and thrush through the echoing timber does so rinse and wring the ear, it strikes like lightning to hear him sing.
My aim is to put down on paper what I see and what I feel in the best and simplest way.
Whether it's a very dramatic part or a comical role, I feel I need to create the same thing: a full-fledged, three-dimensional character that the audience can identify with.
To put down an ideogram of a table so that people will recognize it as a table is not the work of a painter, but to sense it for a moment as a magic carpet with a leg hanging down at each corner is the beginning of a painter's imagination.
I tend to think of the act of photographing, generally speaking, as an adventure. My favorite thing is to go where I’ve never been.
I knelt at the altar of Ray Charles for years. I worked at a restaurant, and that's all there was on the jukebox.
Art resides in the quality of doing, process is not magic.
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