Fear is the path to the dark side. Fear leads to anger. Anger leads to hate. Hate leads to suffering.
George LucasRead
When you are a beginning film maker you are desperate to survive. The most important thing in the end is survival and being able to get to your next picture.
Interpretation
For aspiring filmmakers, the focus should be on perseverance and continuing to create despite challenges.
In this quote, George Lucas emphasizes the initial struggles that filmmakers often face, highlighting the essential need for perseverance and resilience in the creative industry. He suggests that survival in the competitive landscape of filmmaking is crucial, as it allows one to continue pursuing their passion and ultimately create more films, turning challenges into stepping stones for future success.
In practice
In a speech at a film school graduation, you could use this quote to inspire new filmmakers to stay committed to their journey.
Fear is the path to the dark side. Fear leads to anger. Anger leads to hate. Hate leads to suffering.
The technology keeps moving forward, which makes it easier for the artists to tell their stories and paint the pictures they want.
I've come to the conclusion that mythology is really a form of archaeological psychology. Mythology gives you a sense of what a people believes, what they fear.
I wanted Yoda to be the traditional kind of character you find in fairy tales and mythology. And that character is usually a frog or a wizened old man on the side of the road. The hero is going down the road and meets this poor and insignificant person. The goal or lesson is for the hero to learn to respect everybody and to pay attention to the poorest person because that's where the key to his success will be.
So this is how liberty dies. With thunderous applause.
Attention should be paid to this question of our soul, and not simply to accounting procedures. Attention should be paid to the interest of those who are yet unborn, who should be able to see this generation as it saw itself, and the past generation as it saw itself.
If that voice that you created that is most alive in the poem isn't carried throughout the whole poem, then I destroy where it's not there, and I reconstruct it so that that voice is the dominant voice in the poem.
Only stilted pedants can conceive the idea that there are absolute norms to tell what is beautiful and what is not. They try to derive from the works of the past a code of rules with which, as they fancy, the writers and artists of the future should comply. But the genius does not cooperate with the pundit.
Singing has always seemed to me the most perfect means of expression.
When I attack a role, be it TV, film or stage, the first thing I say is, I don't want to know anything. If it's good I don't want to hear it; if it's bad I don't want to hear it. The only thing either thing can do is distract me. I like to stay focused
I'm not a playwright. The people in my songs are all me.
What lists and awards don't measure - and I feel this strongly - is the lasting value of any work of art. They're a snapshot of a moment, and one should always consider their judgments in that context.
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