And thou my minde aspire to higher things;_x000D_ _x000D_ Grow rich in that which never taketh rust.
Philip SidneyRead
So, then, the best of the historian is subject to the poet; for whatsoever action or faction, whatsoever counsel, policy, or war-stratagem the historian is bound to recite, that may the poet, if he list, with his imitation make his own, beautifying it both for further teaching and more delighting, as it pleaseth him; having all, from Dante’s Heaven to his Hell, under the authority of his pen.
Interpretation
The poet enhances historical narrative through artistic expression, providing both beauty and moral lessons.
In this quote, Philip Sidney asserts that poets have the unique ability to elevate historical accounts through their art. While historians are confined to factual recounting of events, poets can reinterpret these events creatively, enriching them with beauty and deeper meaning that offers both entertainment and valuable teachings to their audience.
In practice
A teacher might use this quote to illustrate the role of creativity in interpreting historical events.
And thou my minde aspire to higher things;_x000D_ _x000D_ Grow rich in that which never taketh rust.
A true knight is fuller of bravery in the midst, than in the beginning of danger.
Shallow brooks murmur most, deep and silent slide away.
Fool," said my muse to me. "Look in thy heart and write.
If you have so earth-creeping a mind that it cannot lift itself up to look to the sky of poetry... thus much curse I must send you, in the behalf of all poets, that while you live, you live in love, and never get favour for lacking skill of a sonnet; and, when you die, your memory die from the earth for want of an epitaph.
In forming a judgment, lay your hearts void of foretaken opinions; else, whatsoever is done or said, will be measured by a wrong rule; like them who have jaundice, to whom everything appears yellow.
Every form of theatre has something in common with a visit to the doctor. On the way out, one should always feel better than on the way in.
If we doubt the power of literature and art to civilise, how come no one has ever been mugged by a person carrying a well-thumbed copy of 'Middlemarch' in his back pocket?
What makes us feel drawn to music is that our whole being is music: our mind and body, the nature in which we live, the nature which has made us, all that is beneath and around us, it is all music.
I have an idea that the only thing which makes it possible to regard this world we live in without disgust is the beauty which now and then men create out of the chaos. The pictures they paint, the music they compose, the books they write, and the lives they lead. Of all these the richest in beauty is the beautiful life. That is the perfect work of art.
The army from Asia introduced a foreign luxury to Rome; it was then the meals began to require more dishes and more expenditure . . . the cook, who had up to that time been employed as a slave of low price, become dear: what had been nothing but a metier was elevated to an art.
I think most people gain some sense of how to look at a painting, but no one ever teaches you how to look at a piece of silver.
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