Football is mesmerizing, because it's a figurative war. You go in one direction till you get there, but you get there as a team, not as an individual. Players bond whether they're black or white, much as soldiers do.
Oliver StoneRead
You do the best job you can. You take it step by step. It's hard enough to make a movie. If it works, that's great. If it means something beyond the moment to somebody, they can take it and it lasts through the years, we'll see.
Interpretation
The quote emphasizes the importance of doing one's best and taking things gradually, especially in creative endeavors.
Oliver Stone highlights the challenges of the filmmaking process and encourages artists to focus on their craft step by step. He suggests that while the effort put into creating a film is significant, its lasting impact on audiences is what truly matters, as it may resonate long after its release.
In practice
In a motivational speech to aspiring filmmakers, one could use this quote to encourage them to embrace the challenges of their craft.
Football is mesmerizing, because it's a figurative war. You go in one direction till you get there, but you get there as a team, not as an individual. Players bond whether they're black or white, much as soldiers do.
Never underestimate the power of jealousy and the power of envy to destroy. Never underestimate that.
One of the joys of going to the movies was that it was trashy, and we should never lose that.
Films might get to you and your subconscious and make a little difference, but when the vigilante drum beats, the mob screams and the conformists go along with it. There have to be people who are non-conformists.
Anybody who's been through a divorce will tell you that at one point. they've thought murder. The line between thinking murder and doing murder isn't that major.
I am not trying to be a historian and a dramatist; I'm a dramatist, a dramatic historian, or one who does a dramatic interpretation of history.
If you want to make a documentary you should automatically go to the fiction, and if you want to nourish your fiction you have to come back to reality.
But that's not what an actor does. An actor finds things in the moment with a director and other actors that you don't have time to hand-draw or animate with a computer.
I know this is going to sound very self-serving, and I apologize for it, but if you can write comedy, you can pretty much write anything, because it's the hardest. It's the most technically demanding, the most precisely evaluated form of writing. People know if it works or not. There's a big button marked 'fail,' and that's when nobody laughs.
I think it's great when stories are dark and strange and weirdly personal.
I think producers are more interested in backing concepts than directors and writers. I don't think that's the right way of making a decision about whether you're going to back a film or not.
No man with a conscience can just bat out illustrations. He's got to put all his talent and feeling into them!
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