I had a big fight about how to make something come into the real, to make it physical. It sounds really antique, but it's a question of, how do I mak…

- Sarah Morris

That's what I mean by this sense of erasure. You're inside some event or spectacle and you know you're complicit in it, but there really is no extern…

- Sarah Morris

I think that people tend to look at the paintings as being resolved or finite. But, to me, a painting can be an index for all of the paintings I've d…

- Sarah Morris

Of course, art in and of itself gives me some feeling of elation or power and is in some way curative. But actually what's interesting at the end of …

- Sarah Morris

With the films, it starts off with certain coordinates in the world and seeing what happens. What happens if you place yourself at an oil refinery in…

- Sarah Morris

You can't create a work without being aware that it will change dependent upon the context or the society where it is developed or consumed.

- Sarah Morris

It's always an interesting thing that happens between an artist and their work. People collapse the two, and for any artist, there will be a long per…

- Sarah Morris

The meaning of an artwork is changing depending on who's looking at it - depending on what culture, depending on what time, and so forth. It's alive.

- Sarah Morris

Moving swiftly between different arenas like politics, architecture or commercial design is what I would consider defintive of my generation. I am lo…

- Sarah Morris