I edited Big Funk, some of the footage was shot by Peter Care. We were film buffs as much as music buffs, and so there are film reference as well as sound references.
Going there [Japan] in the early 80s was quite a culture shock. I think the bombardment of Shinjuku and all that would have filtered through, which c… - Stephen Mallinder
Going there [Japan] in the early 80s was quite a culture shock. I think the bombardment of Shinjuku and all that would have filtered through, which c…
- Stephen Mallinder
You don't have to be trained in music to create sounds and to produce and release music. That's what we were saying back in 73-74. And that's the way… - Stephen Mallinder
You don't have to be trained in music to create sounds and to produce and release music. That's what we were saying back in 73-74. And that's the way…
I edited Big Funk, some of the footage was shot by Peter Care. We were film buffs as much as music buffs, and so there are film reference as well as … - Stephen Mallinder
I edited Big Funk, some of the footage was shot by Peter Care. We were film buffs as much as music buffs, and so there are film reference as well as …
I think we saw our reaction coming from Dada, but at the same time, it formed into punk, which was very much a reaction to the social conditions. Tha… - Stephen Mallinder
I think we saw our reaction coming from Dada, but at the same time, it formed into punk, which was very much a reaction to the social conditions. Tha…
[Kino] worked really well as a song title, and to build into a lyric, and also how we embraced mulit-media at the time. - Stephen Mallinder
[Kino] worked really well as a song title, and to build into a lyric, and also how we embraced mulit-media at the time.
We also worked with Marshall Jefferson for Groovy, Laidback and Nasty. So we were lucky to work with some really great people. - Stephen Mallinder
We also worked with Marshall Jefferson for Groovy, Laidback and Nasty. So we were lucky to work with some really great people.
We were responding to a period in the 70s when we started that it was very much you cannot be involved in music unless you studied to do music. - Stephen Mallinder
We were responding to a period in the 70s when we started that it was very much you cannot be involved in music unless you studied to do music.
I think in everything we did, there's a sense of tension and a sense of things pulling in a different way. It's interesting calling it "beat music". … - Stephen Mallinder
I think in everything we did, there's a sense of tension and a sense of things pulling in a different way. It's interesting calling it "beat music". …
I think underneath it all [in the Big Funk] was a little bit of a Europeanness in it. - Stephen Mallinder
I think underneath it all [in the Big Funk] was a little bit of a Europeanness in it.
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