Vitality and beauty are gifts of Nature for those who live according to its laws.
Leonardo Da VinciRead
A bird maintains itself in the air by imperceptible balancing, when near to the mountains or lofty ocean crags; it does this by means of the curves of the winds which as they strike against these projections, being forced to preserve their first impetus bend their straight course towards the sky with divers revolutions, at the beginning of which the birds come to a stop with their wings open, receiving underneath themselves the continual buffetings of the reflex courses of the winds.
Interpretation
The quote illustrates the delicate balance and adaptability required to thrive in challenging environments.
In this quote, Leonardo Da Vinci uses the imagery of a bird flying near mountains and ocean cliffs to explain the intricate dynamics of navigating life's challenges. The bird's ability to stay airborne through adjustments to the wind's curves symbolizes the necessity of balance and flexibility in overcoming obstacles, as it highlights how forces beyond our control can influence our path but can be harnessed for a graceful existence.
In practice
This quote can be used in a motivational speech to encourage resilience and adaptability.
Vitality and beauty are gifts of Nature for those who live according to its laws.
Small rooms or dwellings set the mind in the right path, large ones cause it to go astray.
Patience serves us against insults precisely as clothes do against the cold. For if you multiply your garments as the cold increases, that cold cannot hurt you; in the same way increase your patience under great offenses, and they cannot hurt your feelings.
The smallest feline is a masterpiece.
For, verily, great love springs from great knowledge of the beloved object, and if you little know it, you will be able to love it only little or not at all.
It is a far worthier thing to read by the light of experience than to adorn oneself with the labors of others.
Mercy but murders, pardoning those that kill.
People are more complicated than the masks they wear in society.
For, the sense of being which in calm hours rises, we know not how, in the soul, is not diverse from things, from space, from light, from time, from man, but one with them, and proceeds obviously from the same source whence their life and being also proceed. We first share the life by which things exist, and afterwards see them as appearances in nature, and forget that we have shared their cause. Here is the fountain of action and of thought.
For we cannot adequately understand 'man' as an isolated biological creature, as a bundle of reflexes or a set of instincts, as an 'intelligible field' or a system in and of itself. Whatever else he may be, man is a social and an historical actor who must be understood, if at all, in close and intricate interplay with social and historical structures
The mirror is not you. The mirror is you looking at yourself.
In an era of stress and anxiety, when the present seems unstable and the future unlikely, the natural response is to retreat and withdraw from reality, taking recourse either in fantasies of the future or in modified visions of a half-imagined past.
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