Black Power was really a major challenge to the social privileges and structures of the kind of privilege that I had grown up with. That whole belief... that you will only be able to advance if you are perfectly behaved, if you present yourself as what white people would consider an ideal of whiteness... all of that just began to burst open.
Interpretation
The quote emphasizes the challenge to existing social privileges and norms posed by the Black Power movement.
Margo Jefferson reflects on how the Black Power movement was a significant challenge to the social privileges that were ingrained in her upbringing. She highlights how the idea that one must conform to an ideal of whiteness to succeed began to shatter, revealing the need for broader social change and recognition of Black identity and power.
In practice
During a speech on racial equality, one might quote Jefferson to highlight the necessity of confronting social norms.
We talk about how we think, believe, suspect Michael Jackson treats children. We don't talk about how WE treat child stars. Child stars are abused by the culture. And what's more treacherous than when the rewards of child stardom issue from the abuse?_x000D_ Child stars are performers above all else. Whenever their triumps, they are going to make sure we see everyone of their scars. That's the final price of admission.
I think it's too easy to recount your unhappy memories when you write about yourself. You bask in your own innocence. You revere your grief. You arrange your angers at their most becoming angles.
So much of what blacks and women contend with is centered in how we view, and how the world views, our bodies. Gestures, voices, affect.
Depression is so treacherous - it can be so alluring as well as punishing. After all, it's yours and yours alone - no one else can interfere with it.
I found literary idols in Adrienne Kennedy, Nella Larsen, and Ntozake Shange, writers who'd dared to locate a sanctioned, forbidden space between white vulnerability and black invincibility.
Like dancers with choreography or actors with scripts, jazz singers could take material that was known, even loved, then risk interpreting and revising it. They could conceal even as they revealed themselves. Inflection, timing and tonality were their language, at least as much as words.
We are losing our living systems, social systems, cultural systems, governing systems, stability, and our constitutional health, and we're surrendering it all at the same time.
It doesn't need to be the same every day, doesn't need to be the same shower I use, the same restaurant I go to, the same hour I go to sleep. I've always been very flexible. I don't care if I practice at nine in the morning or 10 P.M.
A life without change is not a life; it is a stagnant pool.
There will never be a new world order until women are a part of it.
He that will not apply new remedies must expect new evils; for time is the greatest innovator.
No one makes a revolution by himself; and there are some revolutions which humanity accomplishes without quite knowing how, because it is everybody who takes them in hand.
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