We have come over a way that with tears has been watered, We have come, treading our path through the blood of the slaughtered.
James Weldon JohnsonRead
O Black and unknown bards of long ago, How came your lips to touch the sacred fire?
Interpretation
The quote reflects on the deep influence and inspiration of poets from the past who conveyed profound truths through their art.
In this quote, James Weldon Johnson acknowledges the contributions of unknown poets and artists from history, marveling at how they were able to express such powerful emotions and ideas through their work. He considers the 'sacred fire' as the creative inspiration that fuels artistic expression, suggesting that despite their anonymity, these bards played a vital role in shaping cultural and artistic legacy.
In practice
This quote can be used in a speech celebrating the importance of artists in shaping culture.
We have come over a way that with tears has been watered, We have come, treading our path through the blood of the slaughtered.
There are a great many colored people who are ashamed of the cake-walk, but I think they ought to be proud of it.
The battle was first waged over the right of the Negro to be classed as a human being with a soul; later, as to whether he had sufficient intellect to master even the rudiments of learning; and today it is being fought out over his social recognition.
I believe it to be a fact that the colored people of this country know and understand the white people better than the white people know and understand them.
It is a struggle; for though the black man fights passively, he nevertheless fights; and his passive resistance is more effective at present than active resistance could possibly be. He bears the fury of the storm as does the willow tree.
Southern white people despise the Negro as a race, and will do nothing to aid in his elevation as such; but for certain individuals they have a strong affection, and are helpful to them in many ways.
I think what gets a poem going is an initiating line. Sometimes a first line will occur, and it goes nowhere; but other times - and this, I think, is a sense you develop - I can tell that the line wants to continue.
We have no longer an outside and an inside as two separate things. Now the outside may come inside and the inside may and does go outside. They are of each other. Form and function thus become one in design and execution if the nature of materials and method and purpose are all in unison.
With the pride of the artist, you must blow against the walls of every power that exists the small trumpet of your defiance.
There is a music for lonely hearts nearly always. If the music dies down there is a silence. Almost the same as the movement of music. To know silence perfectly is to know music.
I used to go and flatten my nose against that window and absorb all I could of his art. It changed my life. I saw art then as I wanted to see it.
The main purpose of my work is to provoke people into using their imagination. Most people spend their lives in dreary, grey-beige conformity, mortally afraid of using colours. By experimenting with lighting, colours, textiles and furniture and utilizing the latest technologies, I try to show new ways to encourage people to use their phantasy and make their surroundings more exciting.
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