We have come over a way that with tears has been watered, We have come, treading our path through the blood of the slaughtered.
James Weldon JohnsonRead
O Black and unknown bards of long ago, How came your lips to touch the sacred fire?
Interpretation
The quote reflects on the deep influence and inspiration of poets from the past who conveyed profound truths through their art.
In this quote, James Weldon Johnson acknowledges the contributions of unknown poets and artists from history, marveling at how they were able to express such powerful emotions and ideas through their work. He considers the 'sacred fire' as the creative inspiration that fuels artistic expression, suggesting that despite their anonymity, these bards played a vital role in shaping cultural and artistic legacy.
In practice
This quote can be used in a speech celebrating the importance of artists in shaping culture.
We have come over a way that with tears has been watered, We have come, treading our path through the blood of the slaughtered.
There are a great many colored people who are ashamed of the cake-walk, but I think they ought to be proud of it.
The battle was first waged over the right of the Negro to be classed as a human being with a soul; later, as to whether he had sufficient intellect to master even the rudiments of learning; and today it is being fought out over his social recognition.
I believe it to be a fact that the colored people of this country know and understand the white people better than the white people know and understand them.
It is a struggle; for though the black man fights passively, he nevertheless fights; and his passive resistance is more effective at present than active resistance could possibly be. He bears the fury of the storm as does the willow tree.
Southern white people despise the Negro as a race, and will do nothing to aid in his elevation as such; but for certain individuals they have a strong affection, and are helpful to them in many ways.
I was always a storyteller. I just didn't know it. I never shared the stories I made up inside my head when I was growing up. I never wrote them down, either. But I can't remember a time when they weren't there.
Unless a piece really said something, I had no interest in it. I have got to know that I have served some purpose here.
It is a symbol of Irish art. The cracked looking-glass of a servant.
Graffiti ultimately wins out over proper art because it becomes part of your city, it' s a tool; "I'll meet you in that pub, you know, the one opposite that wall with a picture of a monkey holding a chainsaw". I mean, how much more useful can a painting be than that?
This idea that a book can either be about character and feeling, or about politics and idea, is just a false binary. Ideas are an expression of the feelings and the intense emotions we hold about the world.
Composing a concert is like composing a menu.... If you start with light pieces and play a 45-minute sonata after the interlude, it's like starting dinner with hors d'oeuvres and dessert and finishing with a Châteaubriand and vegetables.
Subscribe for the occasional hand-picked quote. No noise.