It starts with the writer-it's a familiar dictum, but somehow it keeps getting forgotten along the way. No film-maker, irrespective of his electronic bag of tricks, can ever afford to forget his commitment to the written word.
Steven SpielbergRead
The bones of the story of 'War Horse' is a love story. That's what makes it universal.
Interpretation
The essence of 'War Horse' revolves around a powerful love story, which resonates universally.
'War Horse' illustrates that at the core of any grand narrative, the themes of love and connection are what truly engage audiences. Steven Spielberg highlights how love can transcend different backgrounds and experiences, making the story relatable to all, regardless of the setting or circumstances.
In practice
In a speech about storytelling effectiveness at a film festival.
It starts with the writer-it's a familiar dictum, but somehow it keeps getting forgotten along the way. No film-maker, irrespective of his electronic bag of tricks, can ever afford to forget his commitment to the written word.
When I was a kid, there was no collaboration; it's you with a camera bossing your friends around. But as an adult, filmmaking is all about appreciating the talents of the people you surround yourself with and knowing you could never have made any of these films by yourself.
I just had a crazy, wild imagination all my life, and science fiction is the greatest outlet for me.
From a very young age, my parents taught me the most important lesson of my whole life: They taught me how to listen. They taught me how to listen to everybody before I made up my own mind. When you listen, you learn. You absorb like a sponge - and your life becomes so much better than when you are just trying to be listened to all the time.
I wanted to do another movie that could make us laugh and cry and feel good about the world. I wanted to do something else that could make us smile. This is a time when we need to smile more and Hollywood movies are supposed to do that for people in difficult times.
There are so many rumours about so many of us in the public eye. Sometimes it's too hard to deny what is not true.
May we ever watch over one another, assisting in times of need. Let us not be critical and judgmental, but let us be tolerant, ever emulating the Savior's example of loving-kindness. In that vein, may we willingly serve one another. May we pray for the inspiration to know of the needs of those around us, and then may we go forward and provide assistance.
It was about then [1920] that I wrote a line which certain people will not let me forget: "She was a faded but still lovely woman of twenty-seven."
God knows I didn't mean to fall in love with her
If I stopped loving Him, I would cease to believe in His love. If I loved God, then I would believe in His love for me. It's not enough to need it. We have to love first, and I don't know how. But I need it, how I need it.
Nobody wants somebody who wants them for what they have or the position their in- you want somebody who wants you for you. In case it all goes crazy and it all turns to dust. I want somebody who loves me in the welfare line, eating gumbo, eating fish,black eyed peas and rice. I want somebody that loves me. God wants you to love him, not his cars, not his house, not his blessing- love him.
If cynicism and love lie at opposite ends of a spectrum, do we not sometimes fall in love in order to escape the debilitating cynicism to which we are prone? Is there not in every coup de foudre a certain willful exaggeration of the qualities of the beloved, an exaggeration which distracts us from our habitual pessimism and focuses our energies on someone in whom we can believe in a way we have never believed in ourselves?
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