I can't live where I want to, I can't go where I want to go, I can't do what I want to, I can't even say what I want to. I decided I was a very stupid fool not to at least paint as I wanted to.
Georgia O'KeeffeRead
Sun-bleached bones were most wonderful against the blue - that blue that will always be there as it is now after all man's destruction is finished.
Interpretation
This quote reflects the beauty and resilience of nature even amidst human destruction.
Georgia O'Keeffe's quote emphasizes the contrast between the vibrant beauty of nature—represented by the sun-bleached bones and the persistent blue sky—and the destructive impact of humanity on the environment. It suggests that nature endures and retains its beauty despite the chaos and harm inflicted upon it by mankind, prompting a contemplation of both the fragility and resilience of the natural world.
In practice
This quote can be shared during a discussion on environmental conservation to highlight nature's resilience.
I can't live where I want to, I can't go where I want to go, I can't do what I want to, I can't even say what I want to. I decided I was a very stupid fool not to at least paint as I wanted to.
I found I could say things with color and shapes that I couldn't say any other way - things I had no words for.
You are one of my nicest thoughts.
It was in the 1920s, when nobody had time to reflect, that I saw a still-life painting with a flower that was perfectly exquisite, but so small you really could not appreciate it.
Singing has always seemed to me the most perfect means of expression.
Objective painting is not good painting unless it is good in the abstract sense. A hill or tree cannot make a good painting just because it is a hill or tree. It is lines and colors put together so that they may say something.
Any time is the time to make a poem.
Writing a book of poetry is like dropping a rose petal down the Grand Canyon and waiting for the echo.
paraphrasing.."Science is the language of the intellect of society. Art is language of the entire human personality.
Fantasy is like jam. . . . You have to spread it on a solid piece of bread. If not, it remains a shapeless thing . . . out of which you can’t make anything.
When I first started writing plays I couldn't write good dialogue because I didn't respect how black people talked. I thought that in order to make art out of their dialogue I had to change it, make it into something different. Once I learned to value and respect my characters, I could really hear them. I let them start talking.
There is no right or wrong way to tell a story. You have to find your own way. You can get your idea from listening, looking, or imagining. Stories are everywhere. All you have to do is pay attention.
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