When I learnt to write I became my own master, I became very strong, and that strength is with me to this very day.
V. S. NaipaulRead
Each book, intuitively sensed and, in the case of fiction, intuitively worked out, stands on what has gone before, and grows out of it. I feel that at any stage of my literary career it could have been said that the last book contained all the others.
Interpretation
Each book builds on previous works and contributes to the literary landscape.
V. S. Naipaul reflects on the interconnectedness of literature, suggesting that every book is influenced by its predecessors and, at the same time, adds to the continuum of literary creation. He emphasizes that a writer's current work encapsulates the essence of all their previous works, portraying the idea that literature is a dialogue across time and authors.
In practice
In a literary workshop, discussing the evolution of writing styles.
When I learnt to write I became my own master, I became very strong, and that strength is with me to this very day.
It is wrong to have an ideal view of the world. That's where the mischief starts. That's where everything starts unravelling.
If you decide to move to another country and to live within its laws you don't express your disregard for the essence of the culture. It's a form of aggression.
One must always try to see the truth of a situation - it makes things universal.
His ignorance seemed to widen with everything he read.
I think when you see so many Hindu temples of the 10th century or earlier disfigured, defaced, you realise that something terrible happened. I feel the civilisation of that closed world was mortally wounded by those invasions the old world is destroyed. That has to be understood. Ancient Hindu India was destroyed.
Even though I read voraciously as a child, I never saw myself in books. Without narratives to expand my ideas of who I could be, I accepted the stories others told me about myself, stories which diminished and belittled me and people like me. I want to write against that.
My experience is that prose usually equals duty - last minute, overdue-deadline stuff or a panic lecture to be written.
Give the reader at least one character he or she can root for.
There are now 30-year-old Mexican writers who do great novels in which Mexico isn't even mentioned.
You don't put your life into your books, you find it there.
It is with noble sentiments that bad literature gets written.
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