Heart, we will forget him, You and I, tonight! You must forget the warmth he gave, I will forget the light.
Emily DickinsonRead
If I read a book and it makes my whole body so cold no fire can warm me, I know that is poetry. If I feel physically as if the top of my head were taken off, I know that is poetry. These are the only ways I know it. Is there any other way?
Interpretation
The quote expresses the profound impact poetry has on the human experience, evoking intense emotional and physical sensations.
Emily Dickinson's quote explores the powerful effects of poetry on the reader. She describes the physical and emotional reactions that great poetry can elicit, such as feeling cold to the bone or as if one's head has been removed. This intensity is what Dickinson recognizes as the hallmark of true poetry, suggesting that its influence goes far beyond words, reaching deep into the soul and body, creating a unique, transformative experience.
In practice
In a literature class discussion about the emotional power of poetry.
Heart, we will forget him, You and I, tonight! You must forget the warmth he gave, I will forget the light.
I held a jewel in my fingers And went to sleep. The day was warm, and winds were prosy; I said: "'T will keep." I woke and chid my honest fingers,β The gem was gone; And now an amethyst remembrance Is all I own.
I'll tell you how the sun rose, a ribbon at a time. The steeples swam in amethyst, The news like squirrels ran. The hills untied their bonnets, The bobolinks begun. Then I said softly to myself, "That must have been the sun!
My best Acquaintances are those With Whom I spoke no Word
This is the Hour of Lead- Remembered, if outlived, As freezing persons, recollect the Snow- First-Chill-then Stupor- then the letting go---
Luck is not chance, it's toil; fortune's expensive smile is earned.
Of course I want my films to look really good, but every single element is chosen for a reason. It's telling something in the story.
Being in ballet class, being on the stage, being surrounded by my peers at American Ballet Theater every day, keeps me so humble and grounded. Being in ballet class, I feel, is like this meditation for me every morning.
But poets were not considered dangerous and they were advised to exercise self-censorship. At most, poets were requested not to write at all. I took advantage of this negative liberty.
When I was seven or eight years old, I began to read the science-fiction magazines that were brought by guests into my grandparents' boarding house in Waukegan, Illinois. Those were the years when Hugo Gernsback was publishing 'Amazing Stories,' with vivid, appallingly imaginative cover paintings that fed my hungry imagination.
I am carried in my shadow like a violin in its black case
If I don't fall in love with my characters, I cannot shoot.
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