I have died in so many spectacular ways, and I remember shooting them all, too. I imagine all those deaths will flash in front of me when I'm on my death bed, faced with the real thing.
John HurtRead
Very, very broadly speaking, you can put directors into two areas: One for whom you work, and the other with whom you work. And I prefer the latter, for obvious reasons. It's a great relief to feel that you're working with someone rather than for someone.
I have died in so many spectacular ways, and I remember shooting them all, too. I imagine all those deaths will flash in front of me when I'm on my death bed, faced with the real thing.
The first thing you have to get used to in any kind of acting is the ability to make a fool of yourself. If you haven't learnt how to make a fool of yourself, you shouldn't be on the boards. That's absolutely what it's all about.
Acting is an imaginative exercise. It would be odd if you didn't try to identify with the roles you play, but I think I can differentiate between where my imagination is leading me and where I actually am.
I knew I wanted to act from a very young age - from about nine, really - but I didn't know how to go about it. I had no idea. The world was a much bigger place then.
We are all racing towards death. No matter how many great, intellectual conclusions we draw during our lives, we know they're all only man-made, like God. I begin to wonder where it all leads. What can you do, except do what you can do as best you know how.
For everything that you find dreadful, there's usually something that is rather marvelous as well.
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