Transcendental meditation is like a car, a vehicle that allows you to go within. It's a mental technique.
David LynchRead
The business side of film has goofed up so many things, but even that's changing. It happened to the music industry and now it's happening to the film studios. It's crazy what's going on. But artists should have control of their work; especially if, as I always say, you never turn down a good idea and never take a bad idea.
Interpretation
The film industry is undergoing significant changes, empowering artists with more control over their work.
David Lynch reflects on the evolving nature of the film industry, recognizing past mistakes while noting a shift towards greater artistic control for filmmakers. He emphasizes the importance of embracing good ideas while dismissing poor ones, suggesting that artists should be proactive in shaping their own narratives and careers in a changing landscape.
In practice
This quote could be used in a keynote speech at a film festival discussing the evolution of artistic control in the industry.
Transcendental meditation is like a car, a vehicle that allows you to go within. It's a mental technique.
You don't need a special place to meditate. You can transcend anywhere in the world. The unified field is here, and there, and everywhere.
There's a safety in thinking in a diner. You can have your coffee or your milkshake, and you can go off into strange dark areas, and always come back to the safety of the diner.
Music as background to me becomes like a mosquito, an insect. In the studio we have big speakers, and to me that's the way music should be listened to. When I listen to music, I want to just listen to music.
Television provides the opportunity for an ongoing story - the opportunity to meld the cast and the characters and a world, and to spend more time there.
In today’s world of fear and uncertainty, every child should have one class period a day to dive within himself and experience the field of silence - bliss - the enormous reservoir of energy and intelligence that is deep within all of us. This is the way to save the coming generation.
They ... asked me: 'How do you make your pictures?' I was puzzled ... I said, I don't know, it's not important.
Gardeners (or just plain simple writers who write about the garden) always have something they like intensely and in particular, right at the moment you engage them in the reality of the borders they cultivate, the space in the garden they occupy at any moment, they like in particular this, or they like in particular that.
If you've been fortunate enough to do a film that appeals to the entire family, that's the audience that's probably going to come back to you in something else.
I work as diligently on my canvases as the laborers do in their fields.
They'll sell you thousands of greens. Veronese green and emerald green and cadmium green and any sort of green you like; but that particular green, never.
I'm a method actress in my songs, which is why it's hard to sing them.
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