Transcendental meditation is like a car, a vehicle that allows you to go within. It's a mental technique.
David LynchRead
The business side of film has goofed up so many things, but even that's changing. It happened to the music industry and now it's happening to the film studios. It's crazy what's going on. But artists should have control of their work; especially if, as I always say, you never turn down a good idea and never take a bad idea.
Interpretation
The film industry is undergoing significant changes, empowering artists with more control over their work.
David Lynch reflects on the evolving nature of the film industry, recognizing past mistakes while noting a shift towards greater artistic control for filmmakers. He emphasizes the importance of embracing good ideas while dismissing poor ones, suggesting that artists should be proactive in shaping their own narratives and careers in a changing landscape.
In practice
This quote could be used in a keynote speech at a film festival discussing the evolution of artistic control in the industry.
Transcendental meditation is like a car, a vehicle that allows you to go within. It's a mental technique.
You don't need a special place to meditate. You can transcend anywhere in the world. The unified field is here, and there, and everywhere.
There's a safety in thinking in a diner. You can have your coffee or your milkshake, and you can go off into strange dark areas, and always come back to the safety of the diner.
Music as background to me becomes like a mosquito, an insect. In the studio we have big speakers, and to me that's the way music should be listened to. When I listen to music, I want to just listen to music.
Television provides the opportunity for an ongoing story - the opportunity to meld the cast and the characters and a world, and to spend more time there.
In today’s world of fear and uncertainty, every child should have one class period a day to dive within himself and experience the field of silence - bliss - the enormous reservoir of energy and intelligence that is deep within all of us. This is the way to save the coming generation.
I can write with authority only about what I know well, which means that I end up using surface details of my own life in my fiction.
Instead of art I have taught philosophy. Though technique for me is a big word, I never have taught how to paint. All my doing was to make people to see.
No artist has ethical sympathies. An ethical sympathy in an artist is an unpardonable mannerism of style.
The reverie we intend to study is poetic reverie. This is a reverie which poetry puts on the right track, the track an expanding consciousness follows. This reverie is written, or, at least, promises to be written. It is already facing the great universe of the blank page. Then images begin to compose and fall into place.
Theatre is not supposed to represent psychology but passions, which is totally different. Its role is to represent the soul's different emotional states, and those of the mind, the world history.
Mention the gothic, and many readers will probably picture gloomy castles and an assortment of sinister Victoriana. However, the truth is that the gothic genre has continued to flourish and evolve since the days of Bram Stoker, producing some of its most interesting and accomplished examples in the 20th century - in literature, film and beyond.
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