To me, there is nothing higher than fiction. Nothing. It is fundamentally who I am. I am a teller of stories. For me, that's the only way I can make sense of the world, with all the dance that it involves.
Arundhati RoyRead
In California, there are huge problems because of dams. I'm against big dams, per se, because I think that they are economically unfeasible. They're ecologically unsustainable. And they're hugely undemocratic.
Interpretation
Arundhati Roy critiques big dams for their negative economic, ecological, and democratic consequences.
In this quote, Arundhati Roy expresses her opposition to large dams, arguing that they are not only economically unwise but also detrimental to ecological sustainability and democratic processes. She highlights the multifaceted issues surrounding large infrastructure projects, suggesting that they often serve corporate or governmental interests at the expense of local communities and the environment.
In practice
In an environmental policy discussion, it can emphasize the importance of considering sustainability in infrastructural developments.
To me, there is nothing higher than fiction. Nothing. It is fundamentally who I am. I am a teller of stories. For me, that's the only way I can make sense of the world, with all the dance that it involves.
When she listened to songs that she loved on the radio, something stirred inside her. A liquid ache spread under her skin, and she walked out of the world like a witch.
Caste is about dividing people up in ways that preclude every form of solidarity, because even in the lowest castes, there are divisions and sub-castes, and everyone's co-opted into the business of this hierarchical, silo-ised society.
When I decided to write 'The God of Small Things', I had been working in cinema. It was almost a decision to downshift from there. I thought that 300 people would read it. But it created a platform of trust.
To call someone 'anti-American', indeed, to be anti-American, is not just racist, it's a failure of the imagination.
The trouble is that once you see it, you can't unsee it. And once you've seen it, keeping quiet, saying nothing, becomes as political an act as speaking out. There's no innocence. Either way, you're accountable.
The eternal difference between right and wrong does not fluctuate, it is immutable.
I fear that, with our current veneration for the natural and the real, we have arrived at the opposite pole to all idealism, and have landed in the region of the waxworks.
They whose activity of imagination is often shifting the scenes of expectation, are frequently subject to such sallies of caprice as make all their actions fortuitous, destroy the value of their friendship, obstruct the efficacy of their virtues, and set them below the meanest of those who persist in their resolutions, execute what they design, and perform what they have promised.
The interpretation of our reality through patterns not our own, serves only to make us ever more unknown, ever less free, ever more solitary.
If people are good because they fear punishment, and hope for reward, then we are a sorry lot indeed.
We might say that psychoanalysis revealed to us the complex penalties of denying the truth of man's condition, what we might call the costs of pretending not to be mad.
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