I don't care where the Cure is placed in the pantheon of rock. I don't care if we're perceived as relevant. We're never worried how we fit in. I don't even want to fit in.
Interpretation
The quote expresses a disregard for external validation and a desire for authenticity over popularity.
In this quote, Robert Smith emphasizes the importance of artistic integrity and individual expression over societal expectations or commercial success. He articulates a sentiment that rejects the pressure to conform to mainstream standards and instead values the unique identity of his art and the band. This perspective highlights the belief that true creativity should not be dictated by its reception or ranking within cultural hierarchies.
In practice
During a speech at a music festival, one might use this quote to inspire young artists to stay true to their passion.
When punk came along, I found my generation's music. I grew up listening to the Beatles and the Rolling Stones and Pink Floyd, 'cause that was what got played in the house. But when I first saw the Stranglers, I thought, 'This is it.'
Like I can't cry for myself so I will let this song take all of the things inside I can't let anyone else see and offer it up, as if the sound were some kind of god, and my pain is some kind of sacrifice.
I've never regretted not having children. My mindset in that regard has been constant. I objected to being born, and I refuse to impose life on someone else.
I don't think people go to musicians for their political points of view. I think your political point of view is circumstances and then how you were nurtured and brought up.
Record labels collude with some of the radio stations, and the radio stations have their play lists, dependent upon what they call the, quote, 'hits.' What's commercially viable gets recycled, endlessly repeated, and as a result of that, the progressive music can't break in.
This is our bandstand. If you don't want to play, get up off the instrument and leave.
Things like guitars and ukuleles, you should never part with it, because there will probably be good, healthy times spent, just playing and writing.
You can go to Europe, and there's no turnin' back - any parts of Europe. Wherever you are, there is no stop and go for the blues. The blues go but it don't stop.
Since I was two years old, all I knew was gospel music. That music became such a part of my life it was as natural as dancing. A way to escape from the problems. And my way of release.
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