My work has always been about not being conventional and male gaze is convention.
I don't care about being a pioneer. People act like it would be cool to be a pioneer. I'm okay to be looked at as that, but it's just that we don't get transmitted our cultural heritage as women artists.
Interpretation
What this quote means
Celine Sciamma expresses a sense of resignation regarding the lack of recognition for women's contributions in the arts, rather than a desire for pioneering status.
In this quote, Celine Sciamma reflects on the societal perception of pioneering in the arts and highlights the systemic issues that lead to the underrepresentation of women artists. She points out that while society may romanticize the idea of being a pioneer, the reality is that women often do not receive adequate acknowledgment or transmission of their cultural heritage, suggesting that true recognition is more important than merely being seen as a trailblazer.
Themes
In practice
Example use cases
In a speech on gender equality in the arts, this quote can serve as a powerful reminder of the need for recognition of women's contributions.
More from Celine Sciamma
All quotes →Films made by women belong to the history of cinema; it's just that we get erased pretty quickly.
Similar quotes
In the writing of poetry we never know anything for sure. We will never know if we have 'trained' or 'practised' enough. We will never be able to say that we have reached grade eight, or that we have left the grades behind and are now embarked on an advanced training.
Color is all. When color is right, form is right. Color is everything, color is vibration like music; everything is vibration.
Everything that I saw became something to be made, and it had to be exactly as it was, with nothing added. It was a new freedom: there was no longer the need to compose. The subject was there already made, and I could take from everything. It all belonged to me: a glass roof of a factory, with its broken and patched panels, lines on a road map, a corner of a Braque painting, paper fragments in the street. It was all the same: anything goes.
I always find myself gravitating to the analogy of a maze. Think of film noir and if you picture the story as a maze, you don't want to be hanging above the maze watching the characters make the wrong choices because it's frustrating. You actually want to be in the maze with them, making the turns at their side, that keeps it more exciting...I quite like to be in that maze.
It is not enough to place colors, however beautiful, one beside the other; colors must also react on one another. Otherwise, you have cacophony.
Sometimes writing a novel is not unlike having a baby. You'd have to ask a female novelist to compare the pain.