Unlike film and TV, theater is a luxury object, but one that ordinary middle-class people can still afford. Above all, it isn't a mass medium: Live theater is a small-scale, handmade art form. Intimacy is what makes it special.
Terry TeachoutRead
Century-old records are the closest thing we have to a time machine. To listen to the voice of Theodore Roosevelt or the piano playing of Claude Debussy is to feel the years falling away like autumn leaves from a maple tree.
Interpretation
Historical recordings allow us to experience the past in a unique and personal way.
This quote highlights the extraordinary ability of century-old recordings to transport us to the past, enabling us to hear the voices and music of historical figures like Theodore Roosevelt and Claude Debussy. It suggests that these recordings act as time machines, allowing us to connect with the emotions and experiences of those who lived before us, making history feel alive and tangible.
In practice
In a presentation about the impact of early 20th-century music, this quote could be used to emphasize the value of historical recordings.
Unlike film and TV, theater is a luxury object, but one that ordinary middle-class people can still afford. Above all, it isn't a mass medium: Live theater is a small-scale, handmade art form. Intimacy is what makes it special.
No translation can possibly be perfect. Every production and every performance is a different path up the mountain, and nobody ever makes it all the way to the summit.
No, I don't know how to get young people to start listening to jazz again. But I do know this: Any symphony orchestra that thinks it can appeal to under-30 listeners by suggesting that they 'should' like Schubert and Stravinsky has already lost the battle.
Just as most of us prefer to watch a trapeze artist work without a net, we like to be absolutely sure that a virtuoso is giving us our money's worth, and a seemingly effortless performance, no matter how spectacular it may be, deprives us of that slightly sadistic thrill.
Since I have always preferred making plans to executing them, I have gravitated towards situations and systems that, once set into operation, could create music with little or no intervention on my part. That is to say, I tend towards the roles of planner and programmer, and then become an audience to the results
On the whole, actors shout when they don't know what they're doing, trying to make an impact.
I happen to go for the simplest, most ordinary things. The extraordinary doesn't interest me. I'm not interested in psychotics. I'm interested in the person you don't expect to have a story. I like Everyman.
When I work I relax; doing nothing or entertaining visitors makes me tired.
I can paint pictures, but I cannot rule men.
I am not interested in shock tactics. I just want to make beautiful clothes.
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