When I sit down to write, I don't think about writing about an idea or a given message. I just try to write a story which is hard enough.
Jhumpa LahiriRead
If certain books are to be termed 'immigrant fiction,' what do we call the rest? Native fiction? Puritan fiction? This distinction doesn't agree with me.
Interpretation
The quote questions the categorization of literature based on identity and suggests that such labels may be insufficient or flawed.
Jhumpa Lahiri's quote critiques the simplistic categorization of literature into 'immigrant fiction' versus 'native fiction.' By challenging the binary labels, she highlights the complexities of identity and narrative, suggesting that all literature has multiple influences and that restricting them to such terms may overlook the richness of human experience.
In practice
This quote could be mentioned in a discussion about literature in a multicultural classroom.
When I sit down to write, I don't think about writing about an idea or a given message. I just try to write a story which is hard enough.
When I am experiencing a complex story or novel, the broader planes, and also details, tend to fall away.
I think each time you start a story or novel or whatever, you are absolutely at the bottom of the ladder all over again. It doesn't matter what you've done before.
The sky was different, without color, taut and unforgiving. But the water was the most unforgiving thing, nearly black at times, cold enough, I knew, to kill me, violent enough to break me apart. The waves were immense, battering rocky beaches without sand. The farther I went, the more desolate it became, more than any place I'd been, but for this very reason the landscape drew me, claimed me as nothing had in a long time.
On the technical side, I hope that my writing is evolving and maturing, ripening, deepening.
I always wanted to grow up in a house full of books, English books, and I wanted the sort of fireplaces that worked, overstuffed chairs, that whole kind of fantasy of a bookish New England life. So the library gave me that; for the hours that I was there, I was surrounded by that atmosphere that I craved in my life.
I would solve a lot of literary problems just thinking about a character in the subway, where you can't do anything anyway.
Novels institutionalize the ruse of eros. It becomes a narrative texture of sustained incongruence, emotional and cognitive. It permits the reader to stand in triangular relation to the characters in the story and reach into the text after the objects of their desire, sharing their longing but also detached from it, seeing their view of reality but also its mistakenness. It is almost like being in love.
...in other words, all I want to be is the Jane Austen of south Alabama Interview - March 1964
What Shakespeare was able to do in English he would certainly not have done in French.
I've written some standalone novels, but a book series allows fans in. There's much more intense involvement.
For me a page of good prose is where one hears the rain. A page of good prose is when one hears the noise of battle.... A page of good prose seems to me the most serious dialogue that well-informed and intelligent men and women carry on today in their endeavor to make sure that the fires of this planet burn peaceably.
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