At a certain point in history monuments became associated with kitsch, (it had never previously been so) and one might well ask why this unforeseen aesthetic and ethnic debasement of their values came about, or why monuments have not adapted to the times. Perhaps, instead of evoking authentic religious, patriotic or mystical sentiments, they evoke only the customary ersatz for these sentiments and have suffered the fate of becoming sentimental.
Login to join the discussion