Each character I play has different dimensions. I'm not interested in words that pull them together.
Interpretation
The quote emphasizes the complexity and individuality of characters played by an actor, highlighting the richness of diverse roles.
In this quote, Alan Rickman reflects on the nature of acting and character portrayal. He suggests that each role he plays possesses unique attributes and layers, and he is not concerned with trying to simplify or unify these characters through language. Instead, he embraces the multifaceted nature of each character, which ultimately enriches the storytelling experience.
In practice
This quote can be shared during an acting workshop to inspire participants to explore the depth of their characters.
Film has to be reflecting the world that we live in, and that's all you want to be a part of. Actors inhabit the same planet as everyone else. It's a weird thing that happens when you're an actor because people hold you up because you somehow embody in parts groups of people or people's hopes or something.
You can act truthfully or you can lie. You can reveal things about yourself or you can hide. Therefore, the audience recognizes something about themselves or they don't -- You hope they don't leave the theatre thinking that was nice...now where's the cab?'
I'm a lot less serious than people think, it's probably because the way my face is put together.
Those of you who are not aware of my brilliant career as a stand up comic, I'm not aware of it either so we might well wonder what we're doing here.
Acting is mostly about listening. If you just focus in on what the other person is saying, acting takes care of itself to quite a large extent.
When I am asked about influences, I always say I bow down to Fred Astaire, because when you look at him dancing you never look at his extremities, do you? You look at his centre. What you never see is the hours of work that went into the routines, you just see the breathtaking spirit and freedom.
...and the lamp having at last resigned itself to death. There was nothing now but firelight in the room, And every time a flame uttered a gasp for breath It flushed her amber skin with the blood of its bloom.
Composing a concert is like composing a menu.... If you start with light pieces and play a 45-minute sonata after the interlude, it's like starting dinner with hors d'oeuvres and dessert and finishing with a Châteaubriand and vegetables.
Every fine story must leave in the mind of the sensitive reader an intangible residuum of pleasure, a cadence, a quality of voice that is exclusively the writer's own, individual, unique.
It's always seemed to me that photography tends to deal with facts whereas film tends to deal with fiction.
When I write plays, I'm already seeing the shapes on stage, of the actors and their interaction, and so on and so forth. I don't think I've ever written one play as an abstract piece, as a literary piece, floating in the air somewhere, to be flushed out later on.
As in creating some significant work the artist first experiences something akin to dream awareness that becomes clarified in the creative process itself, so we must first have a vision of the future sufficiently entrancing that it will sustain us in the transformation of the human project that is now in process.
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