First, I try to take everything away that doesn't matter to singing. It sounds simplistic, but it works. There is absolute focus on singing: producing sounds and emotions that I have always enjoyed. This is key.
Johnny MathisRead
As a child, all I knew was that people kept asking me to sing, and because I liked to please, I would sing. It wasn't until my dad told me that my singing made him happy that I began to think my voice might be good.
Interpretation
The quote reflects the idea that personal validation can influence one's perception of their own talents.
Johnny Mathis shares his childhood experience of singing, emphasizing that he initially performed to please others. It was only after receiving affirmation from his father that he recognized the value and potential of his own voice, showcasing how external validation can shape self-esteem and perception of abilities.
In practice
In a motivational speech about nurturing talents in children, this quote can demonstrate the importance of positive reinforcement.
First, I try to take everything away that doesn't matter to singing. It sounds simplistic, but it works. There is absolute focus on singing: producing sounds and emotions that I have always enjoyed. This is key.
Sure, I've thought about retiring, but in my mind, if you can't sing the song anymore, change the song and sing a different one!
It's an endless proving of myself, that I really am a musician, that I have something to offer in the room. That women can be musicians, women can be rock stars, women can be more than an objectified idea of a pop star.
The Official Bulletin declared that the Poles should be as proud of me as the Germans are of Mozart; obvious nonsense.
The major rock instruments and classical instruments were designed for performance, for sharing the music with an audience, and then later people put microphones on them and recorded them. But for electronic music, the opposite was true - they're designed in laboratories, and later, we tried to put them on stage.
I spent 15 minutes writing Stand By Your Man, and a lifetime defending it.
I approach everything as chamber music. Even with Beethoven symphonies, I lead from the violin and basically encourage the orchestra to think of it as a giant string quartet.
With rap, you go in the studio, you make music, you put the music out, then all of a sudden, you're a star: you have a big record on the radio, and you're on stage, and you've never done it before. Let's say your first show is 'Summer Jam,' and you're in front of 60,000 people, and you've never played an arena, ever. You're gonna suck.
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