I have much to learn from my daughter Sofia. Her minimalism exposes my limitations: I'm too instinctive and operatic, I put too much heart into my work, I get lost sometimes in bizarre things - it's my Italian heritage.
Francis Ford CoppolaRead
I think cinema, movies, and magic have always been closely associated. The very earliest people who made film were magicians.
Interpretation
Coppola highlights the deep connection between cinema and magic, emphasizing their shared historical roots.
Francis Ford Coppola reflects on the intrinsic relationship between cinema and magic, suggesting that the illusion and wonder present in filmmaking originated from the artistry of magicians. He implies that the early filmmakers, akin to magicians, were able to create captivating experiences that transport viewers into enchanting worlds, blending reality and imagination into a craft that continues to inspire awe.
In practice
During a film festival, to emphasize the enchanting experience of cinema.
I have much to learn from my daughter Sofia. Her minimalism exposes my limitations: I'm too instinctive and operatic, I put too much heart into my work, I get lost sometimes in bizarre things - it's my Italian heritage.
I landed a job with Roger Corman. The job was to write the English dialogue for a Russian science fiction picture. I didn't speak any Russian. He didn't care whether I could understand what they were saying; he wanted me to make up dialogue.
An essential element of any art is risk. If you don't take a risk then how are you going to make something really beautiful, that hasn't been seen before?
I live near San Francisco in the most beautiful spot on earth and enjoy myself in many ways. Yes, I love to work, which for now is to think and read and write, so it's all a dream come true.
The essence of cinema is editing.
It is a little disappointing to see that your legs are not as strong. But I like the idea of growing old, and the thought of approaching death is not particularly daunting to me.
As a writer, I tend to be drawn to marginal people - writers, poet-prophets, seers, eccentrics - who embody the deeper ambivalences of their societies and bear deeper witness to their world than the famous figures we are used to celebrating, or demonizing, in our histories.
Let us create extraordinary words, on condition that they be put to the most ordinary use and that the entity they designate be made to exist in the same way as the most common object.
There is always a subjective aspect in landscape art, something in the picture that tells us as much about who is behind the camera as about what is in front of it.
People hide behind the word aesthetic. They say, ‘Well, it’s just that designer’s aesthetic.’ But when you see 18 seasons in a row and not one single model outside a certain skin color…? There are people in the industry who are advocates, who support diversity. And there are people who do not. I don’t get it. Beauty is universal. These doors have to open.
To feel most beautifully alive means to be reading something beautiful.
You have to accept as an architect to be exposed to criticism. Architecture should not rely on full harmony.
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