It's wonderful to see art in a museum, but it is institutionalised. I don't like the idea of the artwork as something that requires special conditions. I would like it to be universal.
Antony GormleyRead
I believe in the city as a natural human environment, but we must humanize it. It's art that will re-define public space in the 21st Century. We can make our cities diverse, inspirational places by putting art, dance and performance in all its forms into the matrix of street life.
Interpretation
The quote emphasizes the importance of integrating art into urban environments to enhance and humanize city life.
Antony Gormley advocates for viewing cities as essential human spaces that should be enriched through artistic expressions. He believes that by incorporating various forms of art, such as dance and performance, into everyday street life, urban areas can become more diverse and inspirational, transforming public spaces to better serve the needs of the community in the 21st century.
In practice
In a speech about urban development, one could quote Gormley to emphasize the role of art in community planning.
It's wonderful to see art in a museum, but it is institutionalised. I don't like the idea of the artwork as something that requires special conditions. I would like it to be universal.
We are not moving towards some kind of goal. We are at the goal, and it is changing with us. If art has any purpose, it is to open our eyes to that fact.
Art is not about objects of high monetary exchange. It's about reasserting our firsthand experience in present time.
To exaggerate the fairness of hair, I come even to orange tones, chromes and pale yellow ... I make a plain background of the richest, intensest blue that I can contrive, and by this simple combination of the bright head against the rich blue background, I get a mysterious effect, like a star in the depths of an azure sky.
I increasingly fear that nothing good can come of almost any adaptation, and obviously that's sweeping. There are a couple of adaptations that are perhaps as good or better than the original work. But the vast majority of them are pointless.
We cannot be all the writers all the time. We can only be who we are. Which leads me to my second point: writers do not write what they want, they write what they can.
I set out to show that there exists single creative activity,which is displayed alike in the arts and in the sciences.It is wrong to think of science as a mechanical record of facts, and it is wrong to think of the arts as remote and private fancies. What makes each human, what makes them universal, is the stamp of the creative mind.
GRINNING, DUCKING MY HEAD FOR BALANCE, I START TO SPIN WILDLY AS I CAN. THAT IS MY FAVORITE DANCE, BECAUSE IT CONTAINS A SECRET. THE FASTER I TWIRL, THE MORE I AM STILL INSIDE. MY DANCE IS ALL MOTION WITHOUT, ALL SILENCE WITHIN. AS MUCH AS I LOVE TO MAKE MUSIC, IT'S THE UNHEARD MUSIC THAT NEVER DIES. AND SILENCE IS MY REAL DANCE, THOUGH IT NEVER MOVES. IT STANDS ASIDE, MY CHOREOGRAPHER OF GRACE, AND BLESSES EACH FINGER AND TOE.
One must do the same subject over again ten times, a hundred times. In art nothing must resemble an accident, not even movement.
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