Being a classical musician I'm fascinated with how my colleagues, not just singers, but every musician finds ways to express something else or something new or the same ol', same ol' in classical music. I'm always in dialogue with other musicians at least orally, if I can't be with them and a lot of dead musicians as well. I've learned a lot from dead people on recordings.
Once you go on stage you're essentially creating the world that people want to participate in. The worst thing you can do is go out on stage with the… - Thomas Hampson
Once you go on stage you're essentially creating the world that people want to participate in. The worst thing you can do is go out on stage with the…
- Thomas Hampson
I have every iPod that's been made ˘ that's how sick I am. I carry anything and everything I possibly would want to listen to. I have a lot of jazz. … - Thomas Hampson
I have every iPod that's been made ˘ that's how sick I am. I carry anything and everything I possibly would want to listen to. I have a lot of jazz. …
I think nervousness - a heightened sense of nerves and attention is a very healthy thing for a performer. It is an artificial environment that you ar… - Thomas Hampson
I think nervousness - a heightened sense of nerves and attention is a very healthy thing for a performer. It is an artificial environment that you ar…
I think one of the great things behind game theory, or game development, especially in education now, apropos, digital and new media, is finding a be… - Thomas Hampson
I think one of the great things behind game theory, or game development, especially in education now, apropos, digital and new media, is finding a be…
Being a classical musician I'm fascinated with how my colleagues, not just singers, but every musician finds ways to express something else or someth… - Thomas Hampson
Being a classical musician I'm fascinated with how my colleagues, not just singers, but every musician finds ways to express something else or someth…
Every opera, because every opera is a unique slice of a particular perspective, historical perspective and psychological perspective if not musical s… - Thomas Hampson
Every opera, because every opera is a unique slice of a particular perspective, historical perspective and psychological perspective if not musical s…
When I hear music I want to engage in it. Even if I engage in it very quickly and turn it off in my mind. If I'm in an elevator, clearly I don't want… - Thomas Hampson
When I hear music I want to engage in it. Even if I engage in it very quickly and turn it off in my mind. If I'm in an elevator, clearly I don't want…
The issues of poetry, and music, and dialogue with one another is the essential thrust of any song. The breakdown becomes the epoch, the language, th… - Thomas Hampson
The issues of poetry, and music, and dialogue with one another is the essential thrust of any song. The breakdown becomes the epoch, the language, th…
We don't present our voices to the audience, we resonate our souls. - Thomas Hampson
We don't present our voices to the audience, we resonate our souls.
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