People don't talk to you properly. It's the way they talk to you; they dismiss you. I think it's a combination of me being a woman and a foreigner.
Zaha HadidRead
If I wanted to do clothes or if I wanted to make a building or design a choreography, you are able to do that - they are all under a similar kind of design umbrella.
Interpretation
The quote emphasizes the interconnectedness of various forms of design across different disciplines.
Zaha Hadid's quote reflects her belief in the unity of design principles that transcend individual fields. Whether creating clothing, architecture, or choreography, she asserts that all these creative endeavors share foundational concepts and aesthetics, allowing for a fluid exchange of ideas and inspiration among them.
In practice
In a speech about cross-disciplinary creativity, this quote can inspire designers to explore new fields.
People don't talk to you properly. It's the way they talk to you; they dismiss you. I think it's a combination of me being a woman and a foreigner.
I don't think people should do things because you know, 'I am turning this age, I must go have a husband.' If you find somebody and it works out then have kids, it's very nice. But if you don't, you don't.
It is insufficient for architecture today to directly implement an existing building typology; it instead requires architects to carefully examine the whole area with new interventions and programmatic typologies
It's very important that historic cities are allowed to reinvent their future.
Architecture is really about well-being. I think that people want to feel good in a space ... On the one hand it's about shelter, but it's also about pleasure.
You have to really believe not only in yourself; you have to believe that the world is actually worth your sacrifices.
I want to make clothes that people will wear, not styles that will make a big splash on the runway.
I wanted to write about what we were doing at the French Laundry, the recipes and the stories.
I don't like records that are the same from beginning to end, that are too styled and slick. Everything is so designed and airbrushed and Botoxed, it makes us think, 'Oh, everybody's perfect except me. Everything's smooth except me.' But nothing is smooth.
I write from my soul. This is the reason that critics don't hurt me, because it is me. If it was not me, if I was pretending to be someone else, then this could unbalance my world, but I know who I am.
I believe that the best cameraman is one who recognizes the source, the story, as the basis of his work.
Fandom, after all, is born of a balance between fascination and frustration: if media content didn't fascinate us, there would be no desire to engage with it; but if it didn't frustrate us on some level, there would be no drive to rewrite or remake it.
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