There has to be a common sense cutoff for craziness, and when that threshold is exceeded, then the criteria for publication should get far, far more stringent.
Interpretation
This quote highlights the need for a balance between innovation and sanity in publishing ideas.
Douglas Hofstadter suggests that there exists a limit or threshold for what is considered acceptable or rational in the realm of ideas, particularly in publishing. When ideas or proposals exceed this threshold of common sense, it becomes essential to apply stricter criteria to determine what is worthy of being shared or published, reinforcing the importance of discernment in the dissemination of knowledge.
In practice
In a discussion about the importance of fact-checking and editorial standards in journalism.
You can imagine a soul as being a detailed, elaborate pattern that exists very clearly in one brain. When a person dies, the original is no longer around. But there are other versions of it in other people's brains. It's a less detailed copy, it's coarse-grained.
For 13 to be unlucky would require there to be some kind of cosmic intelligence that counts things that humans count and that also makes certain things happen on certain dates or in certain places according to whether the number 13 'is involved' or not (whatever 'is involved' might mean).
I would proclaim that the vast majority of what [say, Scientific American] is true-yet my ability to defend such a claim is weaker than I would like. And most likely the readers, authors, and editors of that magazine would be equally hard pressed to come up with cogent, non-technical arguments convincing a skeptic of this point, especially if pitted against a clever lawyer arguing the contrary. How come Truth is such a slippery beast?
What is an "I", and why are such things found (at least so far) only in association with, as poet Russell Edson once wonderfully phrased it, "teetering bulbs of dread and dream" - that is, only in association with certain kinds of gooey lumps encased in hard protective shells mounted atop mobile pedestals that roam the world on pairs of slightly fuzzy, jointed stilts?
Many people believe that our lives end not when we die but when the very last person who knew us dies. Memory is part of it, yes, but I think it's much more than memory.
Enormous numbers of people are taken in, or at least beguiled and fascinated, by what seems to me to be unbelievable hocum, and relatively few are concerned with or thrilled by the astounding-yet true-facts of science, as put forth in the pages of, say, Scientific American.
I wrote the song "Show Me" as a prayer to God asking simple, honest questions about life and death and why there is so much suffering in the world. As I grew with the song I realized I shouldn't limit these questions solely to God; I should ask those questions of others and of myself.
I don't see a lot of narratives written where a woman who looks like me gets to be beautiful and sexualized and upwardly mobile, middle-class, funny, quirky. They're very seldom written.
Let me be the child in the story and declare that the Emperor is naked β or that America is culturally bankrupt.
As long as a person is involved with warfare, trying to defend or attack, then his action is not sacred; it is mundane, dualistic, a battlefield situation.
How strangely will the Tools of a Tyrant pervert the plain Meaning of Words!
When people start thinking of you more as a persona, they are less inclined to allow you to move into different areas. Sometimes they're wrong. Sometimes they're just very stereotypical or restricted in their own thinking of what they'll allow you to do.
Subscribe for the occasional hand-picked quote. No noise.