An artist's initial broad stroke is always most impactful, and obsessively adding layer upon layer of paint to fill in details often diminishes the painting's aura. When an aura is lost, it is impossible to get back.
Ryuichi SakamotoRead
Conceptually, I am open to mistakes - errors, actually. I do play lots of wrong notes while I am making some music, and a mistake or a wrong note is like a gift for me: 'Oh, wow, an unknown sound or an unknown harmony. I didn't know about this.'
Interpretation
Mistakes can lead to unexpected creativity and discovery.
Ryuichi Sakamoto emphasizes that errors, particularly in music creation, can be seen positively as opportunities for exploration and innovation. He suggests that every wrong note can introduce new sounds and harmonies that one might not have considered, encouraging a mindset that values the process of creation over perfection.
In practice
This quote could be shared during a creative workshop to inspire participants to embrace their errors.
An artist's initial broad stroke is always most impactful, and obsessively adding layer upon layer of paint to fill in details often diminishes the painting's aura. When an aura is lost, it is impossible to get back.
In the old days, people shared music; they didn't care who made it. A song would be owned by a village, and anyone could sing it, change the words, whatever. That is how humans treated music until the late 19th century. Now, with the Internet, we are going back to having tribal attitudes towards music.
The majority of the people think that noise is not music. I want to accept noise and even errors and glitches. I enjoy them.
I'm just delighted to be living, to be able to have a simple conversation, to feel a ray of sunlight on my skin and listen to the breeze move through the leaves of a tree.
There is a music for lonely hearts nearly always. If the music dies down there is a silence. Almost the same as the movement of music. To know silence perfectly is to know music.
The writing life requires courage, patience, persistence, empathy, openness, and the ability to deal with rejection. It requires the willingness to be alone with oneself. To be gentle with oneself. To look at the world without blinders on. To observe and withstand what one sees. To be disciplined, and at the same time, take risks. To be willing to fail - not just once, but again and again, over the course of a lifetime.
Give me such shows - give me the streets of Manhattan!
The only logical thing I can think of is that I knew there were such things as artists, and I knew there were none where I lived. So I knew that to be an artist you had to be somewhere else. And I very much wanted to be somewhere else.
Art is a manifestation of emotion, and emotion speaks a language that all may understand.
The ballet world is so competitive, and for no reason. It's not a sport. It's an art. There's no winner.
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