An artist's initial broad stroke is always most impactful, and obsessively adding layer upon layer of paint to fill in details often diminishes the painting's aura. When an aura is lost, it is impossible to get back.
Ryuichi SakamotoRead
Conceptually, I am open to mistakes - errors, actually. I do play lots of wrong notes while I am making some music, and a mistake or a wrong note is like a gift for me: 'Oh, wow, an unknown sound or an unknown harmony. I didn't know about this.'
Interpretation
Mistakes can lead to unexpected creativity and discovery.
Ryuichi Sakamoto emphasizes that errors, particularly in music creation, can be seen positively as opportunities for exploration and innovation. He suggests that every wrong note can introduce new sounds and harmonies that one might not have considered, encouraging a mindset that values the process of creation over perfection.
In practice
This quote could be shared during a creative workshop to inspire participants to embrace their errors.
An artist's initial broad stroke is always most impactful, and obsessively adding layer upon layer of paint to fill in details often diminishes the painting's aura. When an aura is lost, it is impossible to get back.
In the old days, people shared music; they didn't care who made it. A song would be owned by a village, and anyone could sing it, change the words, whatever. That is how humans treated music until the late 19th century. Now, with the Internet, we are going back to having tribal attitudes towards music.
The majority of the people think that noise is not music. I want to accept noise and even errors and glitches. I enjoy them.
I'm just delighted to be living, to be able to have a simple conversation, to feel a ray of sunlight on my skin and listen to the breeze move through the leaves of a tree.
I love this quote uttered by the character Widget in The Night Circus. He credits it to Herr Thiessen but knows it is a literary quote by the another author. "Wine is bottled poetry
I think that were beginning to remember that the first poets didn't come out of a classroom, that poetry began when somebody walked off of a savanna or out of a cave and looked up at the sky with wonder and said, "Ahhh." That was the first poem.
I love acting, especially if it's a fantasy of some kind, where it's not just realistic, it's not naturalism.
And the night shall be filled with music, And the cares, that infest the day, Shall fold their tents like the Arabs, and silently steal away.
What I am trying to do when I use symbols is to awaken in your unconscious some reaction. I am very conscious of what I am using because symbols can be very dangerous. When we use normal language we can defend ourselves because our society is a linguistic society, a semantic society. But when you start to speak, not with words, but only with images, the people cannot defend themselves.
Every picture has its own demands, and every picture stimulates something within you to tell it a certain way. I don't know what that is; I don't think too much about that.
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