An artist's initial broad stroke is always most impactful, and obsessively adding layer upon layer of paint to fill in details often diminishes the painting's aura. When an aura is lost, it is impossible to get back.
Ryuichi SakamotoRead
Conceptually, I am open to mistakes - errors, actually. I do play lots of wrong notes while I am making some music, and a mistake or a wrong note is like a gift for me: 'Oh, wow, an unknown sound or an unknown harmony. I didn't know about this.'
Interpretation
Mistakes can lead to unexpected creativity and discovery.
Ryuichi Sakamoto emphasizes that errors, particularly in music creation, can be seen positively as opportunities for exploration and innovation. He suggests that every wrong note can introduce new sounds and harmonies that one might not have considered, encouraging a mindset that values the process of creation over perfection.
In practice
This quote could be shared during a creative workshop to inspire participants to embrace their errors.
An artist's initial broad stroke is always most impactful, and obsessively adding layer upon layer of paint to fill in details often diminishes the painting's aura. When an aura is lost, it is impossible to get back.
In the old days, people shared music; they didn't care who made it. A song would be owned by a village, and anyone could sing it, change the words, whatever. That is how humans treated music until the late 19th century. Now, with the Internet, we are going back to having tribal attitudes towards music.
The majority of the people think that noise is not music. I want to accept noise and even errors and glitches. I enjoy them.
I'm just delighted to be living, to be able to have a simple conversation, to feel a ray of sunlight on my skin and listen to the breeze move through the leaves of a tree.
I began writing when I was still in the British Foreign Service, and it was then understood that even if you wrote about butterfly collecting, you used another name.
It's always funny to me when people use the phrase 'Best guitar player in the world'. There are too many variables such as technique, uniqueness, emotional investment in the notes, etc. But If I had to pick one, it would be Tommy Emmanuel. Watching him perform can be a study in artistic and virtuosic human achievement.
Ah, art! Ah, life! The pendulum swinging back and forth, from complex to simple, again to complex. From romantic to realistic, back to romantic.
then, as though it had been waiting on a near by roof for their arrival, the moon came slanting suddenly through the vines and turned the girl's face the color of white roses.
One has to guard against a formula that is good for everything, that can interpret reality in addition to the other arts, and that rather than creating can only result in a style, or a stylization.
Because the writer must be a participant in the scene, while he's writing it — or at least taping it, or even sketching it. Or all three. Probably the closest analogy to the ideal would be a film director/producer who writes his own scripts, does his own camera work and somehow manages to film himself in action, as the protagonist or at least a main character.
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