You're headed for disaster cos you never read the signs Too much love will kill you every time
Freddie MercuryRead
A concert is not a live rendition of our album. It's a theatrical event. I have fun with my clothes onstage; it's not a concert you're seeing, it's a fashion show.
Interpretation
Freddie Mercury emphasizes that a concert is an artistic performance, blending music with theatrical and fashion elements.
In this quote, Freddie Mercury reflects on the nature of live performances, suggesting that they transcend mere musical renditions of recorded albums. Instead, he views concerts as theatrical events where fashion and creativity take center stage, highlighting the importance of artistry and personal expression in live music.
In practice
This quote can be mentioned in a discussion about the role of aesthetics in live performances.
You're headed for disaster cos you never read the signs Too much love will kill you every time
I have fun with my clothes onstage; it's not a concert you're seeing, it's a fashion show.
I'm so powerful in stage that I seem to have created a monster. When I'm performing I'm an extrovert, yet inside I'm a completely different man.
I'm just a musical prostitute, my dear.
People are always asking me what my lyrics mean. Does it mean this, does it mean that, that's all anybody wants to know. F**k them, darling. I say what any decent poet would say if you dared ask him to analyze his work: If you see it, dear, then it's there. ... I think my melodies are superior to my lyrics. ... I was never too keen on the British music press. They've called us a supermarket hype, and they used to suggest that we didn't write our own songs.
We're a very expensive group; we break a lot of rules. It's unheard of to combine opera with a rock theme, my dear .
The rhythm, the sounds, the tonality, the chord sequences, the individual effect of each instrument and each section of the band - I'm talking about a whole continent in my music.
Very often, footage that you have shot develops its own dynamic, it's own life, that is totally unexpected, and moves away from you're original intentions. And you have to acknowledge, yes, there is a child growing and developing and moving in a direction that isn't expected-accept it as it is and let it develop its own life.
Once you have found the right shot to introduce the scene-written your first declarative sentence-then the rest flows. You've found the key to the whole scene.
If a man comes to the door of poetry untouched by the madness of the Muses, believing that technique alone will make him a good poet, he and his sane compositions never reach perfection, but are utterly eclipsed by the performances of the inspired madman.
Every good composition is above all a work of abstraction. All good painters know this. But the painter cannot dispense with subjects altogether without his work suffering impoverishment.
The dancer of the future will be one whose body & soul have grown so harmoniously together that the natural language of the soul will have become the movement of the body.
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