You're headed for disaster cos you never read the signs Too much love will kill you every time
Freddie MercuryRead
A concert is not a live rendition of our album. It's a theatrical event.
Interpretation
A concert is an expressive performance, not just a replay of recorded music.
Freddie Mercury emphasizes that a live concert transcends mere reproduction of music; it is an artistic experience that combines music, drama, and showmanship, engaging the audience on a deeper emotional level. This perspective highlights the importance of artistry and creativity in live performances, where the atmosphere and presentation play vital roles in the overall experience.
In practice
During a speech at a music festival about the nature of live performances.
You're headed for disaster cos you never read the signs Too much love will kill you every time
I have fun with my clothes onstage; it's not a concert you're seeing, it's a fashion show.
I'm so powerful in stage that I seem to have created a monster. When I'm performing I'm an extrovert, yet inside I'm a completely different man.
I'm just a musical prostitute, my dear.
People are always asking me what my lyrics mean. Does it mean this, does it mean that, that's all anybody wants to know. F**k them, darling. I say what any decent poet would say if you dared ask him to analyze his work: If you see it, dear, then it's there. ... I think my melodies are superior to my lyrics. ... I was never too keen on the British music press. They've called us a supermarket hype, and they used to suggest that we didn't write our own songs.
We're a very expensive group; we break a lot of rules. It's unheard of to combine opera with a rock theme, my dear .
Look, Salvador Dali did not paint because he needed the money. No conversation about materialism and music makes sense. You make music and that's that, it doesn't matter why.
Mystery is an intellectual process... But suspense is essentially an emotional process.
It's much more fun to play something you're nothing like than what you are... It's much easier to hide yourself in a character.
The poet must not only write the poem but must scrutinize the world intensely, or anyway that part of the world he or she has taken for subject. If the poem is thin, it is likely so not because the poet does not know enough words, but because he or she has not stood long enough among the flowers--has not seen them in any fresh, exciting, and valid way.
There are two kinds of writers; the great ones who can give you truths, and the lessor ones, who can only give you themselves.
I feel very lucky to make a living from my imagination; I'm very grateful for that. I like that what I do is create. I'm feeling very lucky to have had the career I had. It's gone much longer and bigger than I ever thought it would be.
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