I never work just to work. It's some combination of laziness and self-respect.
Harold RamisRead
My only conclusion about structure is that nothing works if you don't have interesting characters and a good story to tell.
Interpretation
A good narrative relies on engaging characters and storytelling.
Harold Ramis emphasizes the importance of compelling characters and a well-crafted story in creating a successful structure, suggesting that without these elements, any framework or methodology for storytelling will ultimately fall flat. This insight highlights how the essence of a story is rooted in the people within it and the narrative they inhabit.
In practice
This quote can be used during a creative writing workshop to emphasize the importance of character development.
I never work just to work. It's some combination of laziness and self-respect.
A psychologist said to me, there are only two important questions you have to ask yourself. What do you really feel? And, what do you really want? If you can answer those two, you probably can leave your neuroses behind you.
It seems that, culturally, young people function more in groups. They know each other through digital media. All the young comedy people who work in TV are really used to working at the table with lots of writers around. They're comfortable in the group; they don't assert their own egos over everyone else.
My characters aren't losers. They're rebels. They win by their refusal to play by everyone else's rules.
Find the most talented person in the room and if it's not you, go stand next to him. Hang out with him. try to be helpful.
I would have to think about it for two or three months before I decided to do something which would have meaning. And it would have to be more than just an impression or pleasure. I would need an objective, a meaning. That is the only thing that could help me.
Poems infatuated with their own smarts and detached from any emotional grounding can leave the reader feeling lonely, empty and ashamed for having expected more. Like icy adolescents, such poetry is more interested in commiserating than acknowledging that feelings β the sentiments that make us susceptible to sentimentality β actually exist.
Clothing is . . . an exercise in memory. It makes me explore the past: how did I feel when I wore that. They are like signposts in the search for the past.
If art is not to be life-enhancing, what is it to be? Half the world is feminine - why is there resentment at a female-oriented art? Nobody asks The Tale of Genji to be masculine! Women certainly learn a lot from books oriented toward a masculine world. Why is not the reverse also true? Or are men really so afraid of women's creativity?
I'm not really a songwriter - I'm an interpreter. So in a sense I am an actress first and foremost. I act out the songs, and I lead with my heart.
Writers end up writing stories-or rather, stories' shadows-and they're grateful if they can, but it is not enough. Nothing the writer can do is ever enough
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