The one ironclad rule is that I have to try. I have to walk into my writing room and pick up my pen every weekday morning
Anne TylerRead
I consciously try to end my novels at a point where I won't have to wonder about my characters ever again.
The one ironclad rule is that I have to try. I have to walk into my writing room and pick up my pen every weekday morning
I don't know what takes more courage: surviving a lifelong endurance test because you once made a promise or breaking free, disrupting all your world.
I just want to be told a story, and I want to believe I'm living that story, and I don't give a thought to influences or method or any other writerly concerns
I do write long, long character notes - family background, history, details of appearance - much more than will ever appear in the novel. I think this is what lifts a book from that early calculated, artificial stage.
It seems to me that since I've had children, I've grown richer and deeper. They may have slowed down my writing for a while, but when I did write, I had more of a self to speak from.
And she thought what a clean, simple life she would have led if it weren't for love.
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