I had no contact with my contemporaries in the photographic field, nor even knowledge of their work. So I was influenced by no-one and there were no short cuts for me. I was self-taught the hard way, by trial and error.
I may juggle the composition, as the strength of a picture is in the composition. Or I may play with the light. But I never interfere with the subjec… - George Rodger
I may juggle the composition, as the strength of a picture is in the composition. Or I may play with the light. But I never interfere with the subjec…
- George Rodger
I had no contact with my contemporaries in the photographic field, nor even knowledge of their work. So I was influenced by no-one and there were no … - George Rodger
I had no contact with my contemporaries in the photographic field, nor even knowledge of their work. So I was influenced by no-one and there were no …
It wasn't even a matter of what I was photographing, as what had happened to me in the process. When I discovered that I could look at the horror of … - George Rodger
It wasn't even a matter of what I was photographing, as what had happened to me in the process. When I discovered that I could look at the horror of …
You must feel an affinity for what you are photographing. You must be part of it, and yet remain sufficiently detached to see it objectively. Like wa… - George Rodger
You must feel an affinity for what you are photographing. You must be part of it, and yet remain sufficiently detached to see it objectively. Like wa…
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