A short story is the ultimate close-up magic trick -- a couple of thousand words to take you around the universe or break your heart.
Neil GaimanRead
Coraline shivered. She preferred her other mother to have a location: if she were nowhere, then she could be anywhere. And, after all, it is always easier to be afraid of something you cannot see.
Interpretation
Fear often stems from the unknown, as it's easier to be afraid of what we cannot see.
In this quote, Neil Gaiman highlights the concept of fear and how it is rooted in the unknown. The character Coraline feels a sense of fear when confronted with the idea of her other mother being 'nowhere,' suggesting that fear is often more profound when it relates to uncertainty and invisibility. It illustrates the human tendency to project fear onto what is not visible or defined, emphasizing the psychological impact of the unknown in our lives.
In practice
In a discussion about overcoming fears, this quote can illustrate how our fears often relate to the unknown.
A short story is the ultimate close-up magic trick -- a couple of thousand words to take you around the universe or break your heart.
Jesus. Low-Key Lyesmith," said Shadow. and then he heard what he was saying and he understood. "Loki," he said. "Loki Lie-smith." "You're slow," said Loki, "but you get there in the end." And his lips twisted into a scarred smile and the embers danced in the shadows of his eyes.
As a teenager I wrote to R.A. Lafferty. And he responded, too, with letters that were like R.A. Lafferty short stories, filled with elliptical answers to straight questions and simple answers to complicated ones.
The important thing to understand about American history, wrote Mr. Ibis, in his leather-bound journal, is that it is fictional, a charcoal-sketched simplicity for the children, or the easily bored.
Nothing’s changed. You’ll go home. You’ll be bored. You’ll be ignored. No one will listen to you, really listen to you. You’re too clever and too quiet for them to understand. They don’t even get your name right.
I like the stars. It's the illusion of permanence, I think. I mean, they're always flaring up and caving in and going out. But from here, I can pretend...I can pretend that things last. I can pretend that lives last longer than moments. Gods come, and gods go. Mortals flicker and flash and fade. Worlds don't last; and stars and galaxies are transient, fleeting things that twinkle like fireflies and vanish into cold and dust. But I can pretend.
People resist exploitation. They resist as actively as they can, as passively as they must.
For years and years, I convinced myself that I was unbreakable, an animal with an animal strength or something not human at all. Me, I told people, I take damage like a wall, a brick wall that never falls down, never feels anything, never flinches or remembers. I am one woman but I carry in my body all the stories I have ever been told, women I have known, women who have taken damage until they tell themselves they can feel no pain at all.
They - you know, when we walked in - when I walked in with the two white men that had carried me down - and they cursed me all the way down. They would ask me questions, and when I would try to answer, they would tell me to hush.
The thought that I might kill myself formed in my mind coolly as a tree or a flower.
I call on men and boys everywhere to join us. Violence against women and girls will not be eradicated until all of us - men and boys - refuse to tolerate it.
Listen to me, kid. Don't forget that you are in a concentration camp. In this place, it is every many for himself, and you cannot think of others. Not even you father. In this place, there is no such thing as father, brother, friend. Each of us lives and dies alone. Let me give you good advice: stop giving your ration of bread and soup to your old father. You cannot help him anymore. And you are hurting yourself. In fact, you should be getting his rations.
Subscribe for the occasional hand-picked quote. No noise.