Sadness is more or less like a head cold - with patience, it passes. Depression is like cancer.
Barbara KingsolverRead
It takes some courage to write fiction about politically controversial topics. The dread is you'll be labeled a political writer.
Interpretation
Writing about controversial topics requires bravery, as it risks being pigeonholed into a specific category.
This quote by Barbara Kingsolver highlights the courage required for writers who choose to tackle politically controversial subjects in their fiction. It suggests that such writers face the fear of being labeled solely as 'political writers,' which can limit their creative freedom and artistic identity, yet underscores the importance of addressing significant issues through storytelling.
In practice
During a writing workshop, I shared a quote about the courage needed to tackle political topics in fiction.
Sadness is more or less like a head cold - with patience, it passes. Depression is like cancer.
Children can be your heartache. But that doesn't matter, you have to go on and have them . . . it works out.
I'm of a fearsome mind to throw my arms around every living librarian who crosses my path, on behalf of the souls they never knew they saved.
I did it to win love, and to prove myself capable. Not to move mountains. In my opinions, mountains don't move. They only look changed when you look down on them from great height.
Memory is a complicated thing, a relative to truth, but not its twin.
Empathy is really the opposite of spiritual meanness. It's the capacity to understand that every war is both won and lost. And that someone else's pain is as meaningful as your own.
The real joy is in constructing a sentence. But I see myself as an actor first because writing is what you do when you are ready and acting is what you do when someone else is ready.
It's a luxury being a writer, because all you ever think about is life.
I got over the loss of his desk and chair, but never the desire to produce a string of words more precious than the emeralds of Cortés.
I don't make unconventional stories; I don't make non-linear stories. I like linear storytelling a lot.
And the idea of just wandering off to a cafe with a notebook and writing and seeing where that takes me for awhile is just bliss.
I spend my days kneeling in the muck of language, feeling around for gooey verbs, nouns, and modifiers that I can squash together to make a blob of a sentence that bears some likeness to reason and sense.
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