I'm a storyteller who wants to tell untold, meaningful, universal stories in unforgettable ways. I want to do it all, study it all, and find my place in it.
Janelle MonaeRead
I have not lost any of my crazy, fearless, raw, soulful, eclectic side and I plan on continuing to tell universal stories in an unforgettable way.
Interpretation
The quote reflects an unwavering commitment to artistic authenticity and storytelling.
Janelle Monae expresses pride in her unique and diverse qualities, emphasizing that she has not compromised her individuality in her artistic journey. She is determined to continue creating impactful stories that resonate universally, highlighting the importance of personal expression and connection through art.
In practice
In a speech at an art exhibition, one could open with this quote to inspire artists to embrace their unique styles.
I'm a storyteller who wants to tell untold, meaningful, universal stories in unforgettable ways. I want to do it all, study it all, and find my place in it.
I have a great body, I really do. But I want to be taken seriously as an artist, and wearing anything that shows it off will be a distraction from the music. That's how my signature uniform, my tuxedo, came about. It's classic and timeless. You'll see me in black, white, and a pop of color on my lips. That pop adds a little magic.
Redefine what it means to be sexy and what it means to be a woman. Showing my skin is not what makes me sexy. I like skirts and dresses just like everyone else, but I had a message I needed to put out there. It was up to me to show people and young girls there was another way.
Even if it makes others comfortable, I will LOVE who I am
Perfection is often the enemy of greatness.
It's unfortunate that a lot of people think African-American female artists are monolithically R&B this-or-that, don't have to do anything by default.
I love entertaining people; I strive to make them feel good, and they make me feel wonderful. To explain it simply, I like what I do, and my ambition is to get better as I get older. That's really what I'm all about.
Very often people looking at my pictures say, 'You must have had to wait a long time to get that cloud just right (or that shadow, or the light).' As a matter of fact, I almost never wait, that is, unless I can see that the thing will be right in a few minutes. But if I must wait an hour for the shadow to move, or the light to change, or the cow to graze in the other direction, then I put up my camera and go on, knowing that I am likely to find three subjects just as good in the same hour.
The best way to execute French cooking is to get good and loaded and whack the hell out of a chicken.
For me, every day is a new thing. I approach each project with a new insecurity, almost like the first project I ever did. And I get the sweats. I go in and start working, I'm not sure where I'm going. If I knew where I was going I wouldn't do it.
And I don't feel any form of music is beyond me in the sense of that I don't understand it or I don't have some love for some part of it.
If you're writing a song, you have to write something that can be understood serially. When you're reading a poem that's written for the page, your eye can skip up and down. You can see the thing whole. But you're not going to see the thing whole in the song. You're going to hear it in series, and you can't skip back.
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