No tribal rite has yet been recorded which attempts to keep winter from descending; on the contrary: the rites all prepare the community to endure, together with the rest of nature, the season of the terrible cold.
Joseph CampbellRead
The creative act is not hanging on, but yielding to a new creative movement. Awe is what moves us forward.
Interpretation
The quote emphasizes the importance of letting go and embracing new creative ideas, with awe serving as a driving force for progress.
Joseph Campbell suggests that creativity is not about stubbornly holding onto existing ideas, but rather about yielding to new influences and inspirations. The emphasis on awe indicates that it is this sense of wonder that propels us into new creative ventures and allows us to move forward in our artistic endeavors.
In practice
This quote is perfect for a discussion on the nature of artistic creation in a workshop.
No tribal rite has yet been recorded which attempts to keep winter from descending; on the contrary: the rites all prepare the community to endure, together with the rest of nature, the season of the terrible cold.
Half the people in the world think that the metaphors of their religious traditions, for example, are facts. And the other half contends that they are not facts at all. As a result we have people who consider themselves believers because they accept metaphors as facts, and we have others who classify themselves as atheists because they think religious metaphors are lies.
Christianity isn’t moving people’s lives today. What’s moving people’s lives is the stock market and the baseball scores. What are people excited about? It’s a totally materialistic level that has taken over the world. There isn’t even an ideal that anybody’s fighting for.
Apocalypse does not point to a fiery Armageddon but to the fact that our ignorance and our complacency are coming to an end. The exclusivism of there being only one way in which we can be saved, the idea that there is a single religious group that is in sole possession of the truth—that is the world as we know it that must pass away. What is the kingdom? It lies in our realization of the ubiquity of the divine presence in our neighbors, in our enemies, in all of us.
The demon that you can swallow gives you it’s power, and the greater life’s pain, the greater life’s reply.
And if there was no Fall, what then of the need for Redemption? What god was offended and by whom? Some especially touchy cave bear whose skull had been improperly enshrined?
Of course I want my films to look really good, but every single element is chosen for a reason. It's telling something in the story.
the poems to come are for you and for me and are not for mostpeople... you and i are human beings; mostpeople are snobs.
To me, Godard did to movies what Bob Dylan did to music: they both revolutionized their forms.
Fiction, I believed, was the transmutation of experiential dross into linguistic gold. Fiction meant taking up whatever the world had abandoned by the road and making something beautiful out of it.
When I was young, I struggled with authorship: with everything the word meant and failed to mean. Irish poetry was heavy with custom. Sometimes at night, when I tried to write, a ghost hand seemed to hold mine. Where could my life, my language fit in?
We have fallen in the dreams the ever-living Breathe on the tarnished mirror of the world, And then smooth out with ivory hands and sigh.
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