No tribal rite has yet been recorded which attempts to keep winter from descending; on the contrary: the rites all prepare the community to endure, together with the rest of nature, the season of the terrible cold.
Joseph CampbellRead
The creative act is not hanging on, but yielding to a new creative movement. Awe is what moves us forward.
Interpretation
The quote emphasizes the importance of letting go and embracing new creative ideas, with awe serving as a driving force for progress.
Joseph Campbell suggests that creativity is not about stubbornly holding onto existing ideas, but rather about yielding to new influences and inspirations. The emphasis on awe indicates that it is this sense of wonder that propels us into new creative ventures and allows us to move forward in our artistic endeavors.
In practice
This quote is perfect for a discussion on the nature of artistic creation in a workshop.
No tribal rite has yet been recorded which attempts to keep winter from descending; on the contrary: the rites all prepare the community to endure, together with the rest of nature, the season of the terrible cold.
Half the people in the world think that the metaphors of their religious traditions, for example, are facts. And the other half contends that they are not facts at all. As a result we have people who consider themselves believers because they accept metaphors as facts, and we have others who classify themselves as atheists because they think religious metaphors are lies.
Christianity isn’t moving people’s lives today. What’s moving people’s lives is the stock market and the baseball scores. What are people excited about? It’s a totally materialistic level that has taken over the world. There isn’t even an ideal that anybody’s fighting for.
Apocalypse does not point to a fiery Armageddon but to the fact that our ignorance and our complacency are coming to an end. The exclusivism of there being only one way in which we can be saved, the idea that there is a single religious group that is in sole possession of the truth—that is the world as we know it that must pass away. What is the kingdom? It lies in our realization of the ubiquity of the divine presence in our neighbors, in our enemies, in all of us.
The demon that you can swallow gives you it’s power, and the greater life’s pain, the greater life’s reply.
And if there was no Fall, what then of the need for Redemption? What god was offended and by whom? Some especially touchy cave bear whose skull had been improperly enshrined?
We would sift through every inch of what it was that worked, or if it didn't, and wonder what was effective in it, in terms of paint, the subject matter, the size, the drawing.
Why can't I write something that would awake the dead? That pursuit is what burns most deeply.
Whether I'm painting or not, I have this overweening interest in humanity. Even if I'm not working, I'm still analyzing people.
Art is not in the ...eye of the beholder. It's in the soul of the artist.
I do my best work when I feel conviction to say something through the character I play. Always I want to have integrity and not compromise that.
But I have always thought that these tulips must have had names. They were red, and orange and red, and red and orange and yellow, like the ember in a nursery fire of a winter's evening. I remember them.
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