Grounded in the natural philosophy of the Middle Ages, alchemy formed a bridge: on the one hand into the past, to Gnosticism, and on the other into the future, to the modern psychology of the unconscious.
Carl JungRead
A creative person has little power over his own life. He is not free. He is captive and driven by his daimon.
Interpretation
A creative individual often feels compelled by an inner drive that limits their autonomy.
Carl Jung suggests that creativity is not solely a choice but rather a descent into a powerful drive or instinct, referred to as 'daimon.' This indicates that a creative person's life is heavily influenced by their creative urges and inspirations, which can make them feel less in control of their own destiny.
In practice
In a speech about artistic challenges, one might say, 'As Carl Jung noted, a creative person has little power over his own life.'
Grounded in the natural philosophy of the Middle Ages, alchemy formed a bridge: on the one hand into the past, to Gnosticism, and on the other into the future, to the modern psychology of the unconscious.
The majority of my patients consisted not of believers but of those who had lost their faith.
Complexes are psychic contents which are outside the control of the conscious mind. They have been split off from consciousness and lead a separate existence in the unconscious, being at all times ready to hinder or to reinforce the conscious intentions.
We are in a far better position to observe instincts in animals or in primitives than in ourselves. This is due to the fact that we have grown accustomed to scrutinizing our own actions and to seeking rational explanations for them.
From the viewpoint of analytic psychology, the theatre, aside from any aesthetic value, may be considered as an institution for the treatment of the mass complex.
I have treated many hundreds of patients. Among those in the second half of life - that is to say, over 35 - there has not been one whose problem in the last resort was not that of finding a religious outlook on life.
If you have no eyes, do not walk blindly; take a staff in your hand. If you have no staff of insight, do not walk without a guide.
It's a great lesson about not being too precious about your writing. You have to try your hardest to be at the top of your game and improve every joke you can until the last possible second, and then you have to let it go. You can't be that kid standing at the top of the waterslide, overthinking it...You have to let people see what you wrote.
You can judge the quality of their faith from the way they behave. Discipline is an index to doctrine.
We can find true refuge within our own hearts and minds-right here, right now, in the midst of our moment-to-momen t lives. We find true refuge whenever we recognize the silent space of awareness behind all our busy doing and striving. We find refuge whenever our hearts open with tenderness and love. We find refuge whenever we connect with the innate clarity and intelligence of our true nature.
Raphael paints wisdom, Handel sings it, Phidias carves it, Shakespeare writes it, Wren builds it, Columbus sails it, Luther preaches it, Washington arms it, Watt mechanizes it.
Going through war and living is a very important process. You realize how vulnerable you are and how lucky you are to be in the right place at the right time. As a matter of fact, I have a history of luck.
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