Personal relations are the important thing for ever and ever, and not this outer life of telegrams and anger.
E. M. ForsterRead
Creative writers are always greater than the causes that they represent.
Interpretation
Creative writers transcend the themes and issues they write about, showcasing their talent and perspective.
E. M. Forster’s quote emphasizes the inherent superiority of creative writers over the subjects they depict. It suggests that a writer’s skill, imagination, and unique expression elevate their work beyond the mere representation of causes, issues, or narratives, establishing them as true creators rather than just commentators on the world.
In practice
During a creative writing workshop, this quote can inspire participants to embrace their individuality as writers.
Personal relations are the important thing for ever and ever, and not this outer life of telegrams and anger.
A poem is true if it hangs together. Information points to something else. A poem points to nothing but itself.
One must be fond of people and trust them if one is not to make a mess of life.
Oxford is Oxford: not a mere receptacle for youth, like Cambridge. Perhaps it wants its inmates to love it rather than to love one another.
The fact is we can only love what we know personally. And we cannot know much. In public affairs, in the rebuilding of civilization, something less dramatic and emotional is needed, namely tolerance.
One person with passion is better than forty people merely interested.
Know what your characters want, know what they need most, know what they fear most, and don't be fearful of facing it, no matter how unpleasant it may be.
In my career as a director, there's always been some point where you get halfway through it, or three-quarters, and you go: 'What is this thing all about, and why am I telling the story? Does anybody really care about seeing this?' At that time you have to say: 'OK, forget that and just go ahead.'
It's wonderful to see art in a museum, but it is institutionalised. I don't like the idea of the artwork as something that requires special conditions. I would like it to be universal.
I have many books that I want to write; I'd like to think that I'll be around for another 20 years or so and write another dozen novels, probably some sort of imaginative literature... Never again another seven-volume saga.
There's nothing worse than sitting down to write a novel and saying, 'Well, okay, I'm going to do something of high artistic worth.'
Through care taken over trends, the desire to be novel and affectation knowledge, we repudiate our art, our instinct, our own way of doing things; it is absurd and stupid
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