When you stop doing something, it doesn't mean you are rejecting the previous work. That's the mistake; it's not rejecting it, it's saying, 'I have exploited it enough now and I wish to take a look at another corner.'
David HockneyRead
Cubism was an attack on the perspective that had been known and used for 500 years. It was the first big, big change. It confused people: they said, 'Things don't look like that!'
Interpretation
Cubism challenged traditional artistic perspectives and norms.
David Hockney's quote highlights the revolutionary impact of Cubism on the art world, disrupting long-established methods of perspective that dominated for centuries. It emphasizes the confusion and resistance faced by viewers who were accustomed to representational art, illustrating how innovation can provoke discomfort yet pave the way for new artistic expressions.
In practice
Referencing this quote in an art history lecture about the evolution of modern art.
When you stop doing something, it doesn't mean you are rejecting the previous work. That's the mistake; it's not rejecting it, it's saying, 'I have exploited it enough now and I wish to take a look at another corner.'
I'm interested in all kinds of pictures, however they are made, with cameras, with paint brushes, with computers, with anything.
I've always wanted to be able to paint the dawn.
My only worry is the painting I'm doing. Nothing else.
In fact, most artists want to make things a bit more difficult for themselves as they go along, to challenge themselves.
I can get excitement watching rain on a puddle. And then I paint it. Now, I admit, there are not too many people who would find that exciting. But I would. And I want life thrilling and rich. And it is. I make sure it is.
When I listen to music these days, and I hear Pro Tools and drums that sound like a machine - it kinda sucks the life out of music.
I've always envied people who compose music or paint, because they don't have to be bothered with the sort of crude mess that language normally is, in everyday life and in the way we use it.
All that we did, all that we said or sang must come from contact with the soil.
I'm lucky enough to be able to make films and so I don't need a psychiatrist. I can sort out my fears and all those things with my work. That's an enormous privilege. That's the privilege of all artists, to be able to sort out their unhappiness and their neuroses in order to create something.
I'm afraid that the act of writing is so scary and anxiety-filled that I never laugh at all. In fact, when people tell me that such and such a scene or story is comical, I tend to gape. I did not intend comedy - ever, as far as I know. It's probably all a mistake. I am essentially a lugubrious writer. Ha ha!
Musicals are plays, but the last collaborator is your audience, so you've got to wait 'til the last collaborator comes in before you can complete the collaboration.
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