When you stop doing something, it doesn't mean you are rejecting the previous work. That's the mistake; it's not rejecting it, it's saying, 'I have exploited it enough now and I wish to take a look at another corner.'
David HockneyRead
Cubism was an attack on the perspective that had been known and used for 500 years. It was the first big, big change. It confused people: they said, 'Things don't look like that!'
Interpretation
Cubism challenged traditional artistic perspectives and norms.
David Hockney's quote highlights the revolutionary impact of Cubism on the art world, disrupting long-established methods of perspective that dominated for centuries. It emphasizes the confusion and resistance faced by viewers who were accustomed to representational art, illustrating how innovation can provoke discomfort yet pave the way for new artistic expressions.
In practice
Referencing this quote in an art history lecture about the evolution of modern art.
When you stop doing something, it doesn't mean you are rejecting the previous work. That's the mistake; it's not rejecting it, it's saying, 'I have exploited it enough now and I wish to take a look at another corner.'
I'm interested in all kinds of pictures, however they are made, with cameras, with paint brushes, with computers, with anything.
I've always wanted to be able to paint the dawn.
My only worry is the painting I'm doing. Nothing else.
In fact, most artists want to make things a bit more difficult for themselves as they go along, to challenge themselves.
I can get excitement watching rain on a puddle. And then I paint it. Now, I admit, there are not too many people who would find that exciting. But I would. And I want life thrilling and rich. And it is. I make sure it is.
I paint what I see and not what others like to see.
Your audience is one single reader. I have found that sometimes it helps to pick out one person-a real person you know, or an imagined person and write to that one.
To elevate the soul, poetry is necessary.
My father was a taxidermist, not a run-of-the-mill profession for a West Indian immigrant. Having given up on becoming a vet, he settled for working with dead animals rather than live ones. Dad was a true craftsman, an artist.
The film project has been “twenty years of constipation,” and he likens the Hollywood process to “trying to grill a steak by having a succession of people coming into the room and breathing on it.”
The problem was to sustain at any cost the feeling you had in the theater that you were watching a real person, yes, but an intense condensation of his experience, not simply a realistic series of episodes.
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