I found that dance, music, and literature is how I made sense of the world... it pushed me to think of things bigger than life's daily routines... to think beyond what is immediate or convenient.
Mikhail BaryshnikovRead
If your only dance experience is the Nutcracker, it will be a shock; hopefully shocking in a good way.
Interpretation
Dance can be surprising and transformative, especially when one steps outside their familiar experiences.
In this quote, Mikhail Baryshnikov highlights that being limited to a single experience, such as the Nutcracker, can lead to unexpected and possibly enlightening encounters when one explores various forms of dance. It suggests that broadening one's horizons can bring delightful surprises and enrich one's understanding of art.
In practice
In a conversation about the importance of trying new things, this quote can encourage someone to explore different forms of art.
I found that dance, music, and literature is how I made sense of the world... it pushed me to think of things bigger than life's daily routines... to think beyond what is immediate or convenient.
It's weird when you see pieces of choreography that were done for you 15 or 20 years ago and now they are being done by another dance company.
I miss horribly those couple of hours before the performance when you get into the theater and you see people.
No dancer can watch Fred Astaire and not know that we all should have been in another business.
There comes a moment in a young artist's life when he knows he has to bring something to the stage from within himself. He has to put in something in order to be able to take something.
Dancing is my obsession. My life.
Why shouldn't rap be esoteric, able to take in current events, history and criticism? I guess it's this old idea of containment - that rappers, because they're black, can't and shouldn't aspire to look outside the ghetto for influence.
Movies and television have a way of using a soundtrack not just to create a mood but to literalize it. You could always count on a master class in splitting the difference between artistry and obviousness during the so-called Blaxploitation era.
I like looking at geniuses and listening to beautiful people.
The reality of the final moment, just before shooting [the scene], is so powerful that all previous analysis must yield before the impressions you receive under these circumstances, and unless you use this feedback to your positive advantage, unless you adjust to it, adapt to it and accept the sometimes terrifying weaknesses it can expose, you can never realize the most out of your film.
'Let the music play on' would be my legacy.
Anyone who understands Jazz knows that you can't understand it. It's too complicated. That's what's so simple about it.
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