Some days I do appreciate things more, eggs, flowers, but then I decide I'm only having an attack of sentimentality, my brain going pastel Technicolor, like a beautiful-sunset greeting cards they used to make so many of in California. High-gloss hearts. The danger is grayout.
Interpretation
This quote reflects on the fleeting nature of appreciation and sentimentality in life.
Margaret Atwood captures the essence of transient moments of appreciation that can sometimes overwhelm us with a sentimentality that feels both beautiful and risky. It suggests that while it is wonderful to find joy and beauty in everyday things like eggs and flowers, there is a thin line between genuine appreciation and a more superficial, momentary nostalgia that can fade away, potentially leading to a sense of loss or emptiness when the excitement wanes.
In practice
Using this quote in a speech about appreciating life's small moments.
If I am good enough and quiet enough, perhaps after all they will let me go; but it’s not easy being quiet and good, it’s like hanging on to the edge of a bridge when you’ve already fallen over; you don’t seem to be moving, just dangling there, and yet it is taking all your strength.
I would like to believe this is a story I’m telling. I need to believe it. I must believe it. Those who can believe that such stories are only stories have a better chance. If it’s a story I’m telling, then I have control over the ending. Then there will be an ending, to the story, and real life will come after it. I can pick up where I left off.
What else can I do? Once you've gone this far you aren't fit for anything else. Something happens to your mind. You're overqualified, overspecialized, and everybody knows it. Nobody in any other game would be crazy enough to hire me. I wouldn't even make a good ditch-digger, I'd start tearing apart the sewer-system, trying to pick-axe and unearth all those chthonic symbols - pipes, valves, cloacal conduits... No, no. I'll have to be a slave in the paper-mines for all time.
We love each other, that’s true whatever it means, but we aren’t good at it; for some it’s a talent, for others only an addiction.
I've learned quite a lot, over the years, by avoiding what I was supposed to be learning.
Knowing too much about other people puts you in their power, they have a claim on you, you are forced to understand their reasons for doing things and then you are weakened.
Why do so many of us not give ourselves permission to be alive until we are absolutely assured that we will die? ...If we are not in [this present millisecond of life and conscious experience], we are not alive; we are merely thinking our lives. Yet we have seen so many die, looking back over their shoulders at their lives, shaking their heads and muttering in bewilderment, "What was that all about?"
These memories sustained him, but not so easily. Too often they reminded him of where he was when he last summoned them. They lay on the far side of a great divide in time, as significant as B.C. and A.D. Before prison, before the war, before the sight of a corpse became a banality.
My life isn't focused on results. My life is really focused on the process of doing all the things I'm doing, from work to relationships to friendships to charitable work.
Now for a good twelve-hour sleep, I told myself. Twelve solid hours. Let birds sing, let people go to work. Somewhere out there, a volcano might blow, Israeli commandos might decimate a Palestinian village. I couldn't stop it. I was going to sleep.
You've got as many lives as you like, and more, even ones you don't want.
Attack life, it's going to kill you anyway.
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