I definitely have to give myself permission, like on "Master Swarm," to rip a lead on that. Just play a violin solo that's - it's a bit showoff-y, but it's fun, so who cares?
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If something gets under my own skin, and keeps reoccurring, it starts to take on a certain weight and value, and I think, "I have to put this in the song. I have no choice but to mention Greek Cypriots in this song." It's a little internal challenge to myself. Like creating little imaginary rituals in yourself to help the song go from nonexisting to existing.
Playing the violin and singing and whistling are just three different ways of making sound.
I think life is a wondrous thing. I'm happy to try pretty hard.
I'm into lately being a little less precious about writing and being like, "Okay, what if I just locked myself in my room, pretend that there's someone outside with a gun that's saying, 'Don't come out until you write something.'"
Sometimes I think I don't have much choice in the matter. It's just what happens, and I'm following my instincts the whole time.
There's a lot of interesting words, nomenclatures, in science.
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