Every time you pick up your guitar to play, play as if it's the last time.
Eric ClaptonRead
My definition of Blues is that it's a musical form which is very disciplined and structured coupled with a state of mind, and you can have either of those things but it's the two together that make it what it is. And you need to be a student for one, and a human being for the other, but those things alone don't do it.
Interpretation
Blues is a combination of musical structure and emotional expression.
Eric Clapton defines Blues as a musical genre that requires both a disciplined understanding of its structured forms and a deep emotional connection to the music. He emphasizes that mastering the technical aspects alone is insufficient; one must also possess the humanity and emotional depth to truly convey the essence of Blues music.
In practice
In a music class discussing genres, this quote can highlight the complexity of Blues.
Every time you pick up your guitar to play, play as if it's the last time.
There are people these days who can do things on the guitar which are beyond my reach. There's one guy who plays with Queen who can do things I would dream of doing. I sincerely mean that.
My original interests and intentions in guitar playing were primarily created on quality of tone, for instance, the way the instrument could be made to echo or simulate the human voice.
When I saw Jimi Hendrix I knew immediately that this guy was the real thing ... and when he played it was like a rough sketch of what he was going to become ... this guy was our generation, and he wasn't in a suit .. he played a Howlin' Wolf song 'Killing Floor', and then we (The Cream) had to carry on the set. It was pretty hard to follow.
My selective memory of what drinking was like told me that standing at the bar in a pub, on a summer's evening with a long, tall glass of lager and lime was heaven, and I chose not to remember the nights on which I had sat with a bottle of vodka, a gram of coke and a shotgun, contemplating suicide.
Leave bands, go back to obscurity if I choose to, without a great sense of loss of security because it's all been based on the fact that I did it on my own or was doing, enjoying doing it on my own in the first place.
The great moments of rock 'n' roll were never off in some corner of the music world, in a self-constructed ghetto.
One of the things that touches me most when I play for an audience is that although we may be unable to communicate in words or have diametrically opposed views on hot-button issues, while the music sounds we can be at peace, we can be friends. The vibrations that fill an auditorium have no passports, and they unite ears when hearts may be divided.
Pearl Jam is a band I have a lot of respect for. Nirvana and Sonic Youth I feel the same way about. Mumford & Sons, My Morning Jacket, Wilco, Givers, and Foo Fighters are just some of my favorites. I respect bands that give me something of themselves that I can feel. ("Posing" bands turn me off generally speaking.) It all has to do with a feeling I have about them. That is what music is to me, a feeling. It's similar with people too.
I've always been obsessed with drums. They fascinate me. Any other instrument - nothing. I play acoustic guitar a bit. But it's always been drums first and foremost. I don't reckon on this Jack-of-all-trades thing. I thing that felling is a lot more important than technique. It's all very well doing a triple paradiddle - but who's going to know you've done it? If you play technically you sound like everybody else. It's being original that counts.
If our history can challenge the next wave of musicians to keep moving and changing, to keep spiritually hungry and horny, that's what it's all about.
God gives us the ability, but rock 'n' roll was created by men.
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