What cannot be talked about cannot be put to rest. And if it is not, the wounds will fester from generation to generation.
Bruno BettelheimRead
The delight we experience when we allow ourselves to respond to a fairy tale, the enchantment we feel, comes not from the psychological meaning of the tale (although this contributes to it) but from its literary qualities-the tale itself as a work of art.
Interpretation
The joy we find in fairy tales arises from their artistic qualities rather than solely their psychological interpretations.
Bruno Bettelheim highlights that the pleasure and enchantment we derive from fairy tales stem from their literary characteristics and artistry. While psychological meanings do play a role, the intrinsic value of the narrative structure, style, and imagination inherent in the tale itself evoke a more profound emotional response, allowing us to appreciate it as a work of art.
In practice
During a storytelling session, I might share this quote to highlight the beauty of literature.
What cannot be talked about cannot be put to rest. And if it is not, the wounds will fester from generation to generation.
Raising children is a creative endeavor, an art rather than a science.
The fear of failure is so great, it is no wonder that the desire to do right by one's children has led to a whole library of books offering advice on how to raise them
Punishment may make us obey the orders we are given, but at best it will only teach an obedience to authority, not a self-control which enhances our self-respect.
Not only is our love for our children sometimes tinged with annoyance, discouragement, and disappointment, the same is true for the love our children feel for us.
The ability to read becomes devalued when what one has learned to read adds nothing of importance to one's life.
The worst tragedy for a poet is to be admired through being misunderstood.
Poetry is the deification of reality.
Only photography has been able to divide human life _x000D_ into a series of moments, each of them has the value of a complete existence.
The reality of the final moment, just before shooting [the scene], is so powerful that all previous analysis must yield before the impressions you receive under these circumstances, and unless you use this feedback to your positive advantage, unless you adjust to it, adapt to it and accept the sometimes terrifying weaknesses it can expose, you can never realize the most out of your film.
History is my passion. So I write what I love to read. I find that if I combine history with a strong, sensual romance, it is like a one-two punch. The reader doesn't want the history without the romance, and of course the heavier the history, the more it has to be leavened with a sensual, all-consuming love story.
I'm not a classical player. I don't want to be a classical player. I love to improvise, because things happen that never happen anywhere else.
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