As honour, love, obedience, troops of friends, / I must not look to have; but, in their stead, / Curses, not loud but deep, mouth-honour, breath, / Which the poor heart would fain deny, and dare not" (5.3.25-28).
William ShakespeareRead
Die for adultery! No: The wren goes to't, and the small gilded fly does lecher in my sight
Interpretation
This quote criticizes the triviality of infidelity and points out the ubiquitous nature of desire.
In this quote, Shakespeare reflects on the idea that infidelity and sexual desire are natural occurrences, drawing an image of even the smallest creatures, like a wren or a fly, engaging in such acts. By stating 'Die for adultery!', he seems to mock the seriousness with which society treats infidelity, highlighting that it is a common human experience that transcends moral judgments.
In practice
During a discussion about the nature of fidelity in relationships.
As honour, love, obedience, troops of friends, / I must not look to have; but, in their stead, / Curses, not loud but deep, mouth-honour, breath, / Which the poor heart would fain deny, and dare not" (5.3.25-28).
Love bears it out even to the edge of doom.
Good company, good wine, good welcome, can make good people.
Absence doth sharpen love, presence strengthens it; the one brings fuel, the other blows it till it burns clear.
Lord, Lord, how this world is given to lying!
Give it an understanding, but no tongue.
Love does not make you weak, because it is the source of all strength, but it makes you see the nothingness of the illusory strength on which you depended before you knew it.
If you can make a girl laugh, you can make her do anything.
Money cannot buy the fuel of love but is excellent kindling.
And tonight our skin, our bones, that have survived our fathers, will meet, delicate in the hold, fastened together in an intricate lock. Then one of us will shout, "My need is more desperate!" and I will eat you slowly with kisses even though the killer in you has gotten out.
There are no words for how much I will miss her, but I try to kiss her so that she'll know. I try to kiss her to tell her the whole story of my love, the way I dreamed of her when she was dead, the way that every other girl seemed like a mirror that showed me her face. The way my skin ached for her. The way that kissing her made me feel like I was drowning and like I was being saved all at the same time. I hope she can taste all that, bittersweet, on my tongue.
Well, here he was. They could save each other, the way the poets promised lovers should. He was mystery, he was darkness, he was all she had dreamed of. And if she would only free him he would service her - oh yes - until her pleasure reached that threshold that, like all thresholds, was a place where the strong grew stronger, and the weak perished. Pleasure was pain there, and vice versa. And he knew it well enough to call it home.
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