There's nothing, today, that excites me, or that makes me think I would like to be back in AFL circles. I have no interest. No interest whatsoever. My love for the game died inside of me in those final years of me playing.
Adam GoodesRead
Growing up, I knew I was different. But I didn't know what it meant to be Aboriginal. I just knew that I had a really big, extended family. I was taught nothing about who we were or where we came from.
Interpretation
This quote reflects the struggle of understanding one's cultural identity and the importance of family.
In this quote, Adam Goodes expresses a feeling of being different during his upbringing, which is tied to his Aboriginal heritage. He highlights the gap in knowledge about his cultural roots, emphasizing the significance of family as a foundation for identity, and illustrates a common experience among individuals seeking to understand their cultural background amidst a lack of education about it.
In practice
This quote can be used during a family gathering to emphasize the importance of understanding our heritage.
There's nothing, today, that excites me, or that makes me think I would like to be back in AFL circles. I have no interest. No interest whatsoever. My love for the game died inside of me in those final years of me playing.
I just figured that, for me to get the best out of myself and do the right thing by myself, I really just needed to step away and find out what I really wanted to do and hopefully getting back to where my people are from and getting out bush could really re-energise me and help heal those wounds.
The football field was a place where I could express myself and just be me. Play the game as well as you can and that's what you're judged on. Not the colour of your skin, or your beliefs, or the conversation you have around racism.
I don't think there's too many Aboriginal people out there who are successful that don't want to help make gains for our people.
I ask every Australian to think about what the constitutional exclusion says to Aboriginal and Torres Strait Islander Australians, to see our vast and inspiring history in this land not mentioned in the official picture like that.
What I've seen, and the reactions from 'The Final Quarter' and 'The Australian Dream', is that a lot more people are more willing to share their stories around racism.
The American society around me looked at me and saw Japanese. Then, when I was 19, I went to Japan for the first time. And suddenly - what a shock - I realized I wasn't Japanese; they saw me as American. It was an enormous relief. Now I just appreciate being exactly in the middle.
I don't know what I am if I'm not a woman.
I'm an actor. Since I was a teenager, I have had to play different characters, negotiating the cultural expectations of a Pakistani family, Brit-Asian rudeboy culture, and a scholarship to private school. The fluidity of my own personal identity on any given day was further compounded by the changing labels assigned to Asians in general.
My hats did give me an identity. In fact, if I had a dollar for every time someone has seen me bareheaded and said, 'I almost didn't recognize you without a hat on', I could have bought the Cowboys myself.
Being South Asian in the U.K. is like being Latino in the U.S., I would guess. It's a bit more hood. You see things; things happen. I was bouncing between worlds. You're acting from a very early age, when you have to code-switch like that. I'm a hybrid, a mongrel. I think many people live that life.
I live on the margin of just about everything. I'm a marginal person, and I think that is where I've become comfortable. I'm marginally there in my native life. I can do as much as I can, but I'm always German, too, you know, and I'm always a mother. That's my first identity, but I'm always a writer, too.
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